Back in 2002, Luc Besson’s seemingly never ending goal to turn every, random, adolescent idea hes ever had into flashy, eccentric, middle-of-the-road actioners hit something
Back in 2002, Luc Besson’s seemingly never ending goal to turn every, random, adolescent idea hes ever had into flashy, eccentric, middle-of-the-road actioners hit something
After the surprise hit of Saw, the fiendish horror/thriller from horror’s hot new things, James Wan and Leigh Whannell, things sort of went quiet there