Look, I love 80s slashers too, but just how many more times can we deconstruct the genre with a mixture of post-modern snark and genuine
Look, I love 80s slashers too, but just how many more times can we deconstruct the genre with a mixture of post-modern snark and genuine
The last time we saw Esther – the child mascarading psycho from 2009’s Orphan – she was sinking to the bottom of a frozen lake