Be it under the watchful eye of Tim Story, Josh Trank or whomever the poor sap was who made the unreleased, low budget Roger Corman
Author: greigzilla
When not doing things for a movie website... Greig watches movies.
Top 5 Things The Monsterverse Could Do Next
After the dust settled from the awesome, long awaited clash betwixt a large lizard and a massive monkey, you could have been forgiven for thinking
The Hills Have Eyes (1977) – Review
After making the cinema going public of 1972 collectively want to scrub themselves with bleach after the release of The Last House On The Left,
Fresh
Romcoms are a something of a trial for me, so when something comes along to subvert (or even pervert) the usual tropes and cliches I
Sonic The Hedgehog 2 (2022) – Review
After the release of Sonic The Hedgehog back in 2019, something almost happened on this website that has never happened before. No, we didn’t actually
Morbius (2022) – Review
Those confused by the continuing random randomness of Sony Pictures’ Spider-Man business plan aren’t likely to get a clearer view after a viewing of Morbius,
Tron (1982) – Review
Much like The Black Hole or Dragonslayer, Tron was another tonally strange attempt from Disney to bring their live action movies up to date in
Phenomena (1985) – Review
Dario Argento has shown us some undeniably gnarly shit throughout his long and fascinating career of horror films but the jaw dropping visuals he employs
Blackthorn (2011) – Review
Butch Cassidy And The Sundance Kid may be one of the most charismatic westerns – nay, films – ever made which is cemented even further
The Lost Boys (1987) – Review
It’s easy to look at The Lost Boys from the (relatively) safe confines of the 2020’s and merely proclaim it as a defining, rollicking, 80’s
Ambulance (2022) – Review
Anyone else get the feeling that Michael Bay was maybe getting past his prime?I realise it’s a weird question to ask when the majority of
The Final Girls (2015) – Review
Why is it that whenever a filmmaker wishes to lovingly poke fun at the horror genre, it’s invariably the slasher genre that gets singled out
Rebirth Of Mothra III (1998) – Review
When they have momentum, the rate that Toho can churn out Kaiju flicks is frankly stunning – and I’m not even talking about the inhuman
Death Becomes Her (1992) – Review
Wedged somewhat awkwardly in Robert Zemeckis’ filmography between the blockbuster majesty of the Back To The Future trilogy and Who Framed Roger Rabbit? and the
Umma (2022) – Review
If I were to describe to you a movie where Sandra Oh’s over protective parenting and complicated relationship with her own mother leads to supernatural
Tremors: A Cold Day In Hell (2018) – Review
After the surprise revival of the Tremors franchise back in 2015, the series seemed to be in the best shape it had been in in
X (2022) – Review
Ti West deserves to be a household name, God dammit.Flirting round the mainstream with patient, brooding horrors like House Of The Devil and The Innkeepers,
The Hunt For Red October (1990) – Review
Before the empathic brows of John Krasinski, the firm confidence of Chris Pine, the flustered jawline of Ben Affleck or the defiant pointing of Harrison
Three Days Of The Condor (1975) – Review
These days, actual global politics are so far off the fucking chain that any movie that delves into the shifty workings of international espionage that
Rebirth Of Mothra II (1997) – Review
After making her/his long awaited return to solo adventures in 1996 with Rebirth Of Mothra, the most benevolent bug this side of that ant from
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