There are many wonderful things about the career of Tim Burton that’s depressingly easy to forget when you look at his rather soulless output the
Author: greigzilla
When not doing things for a movie website... Greig watches movies.
Point Break (1991) – Review
Time catches up to all of us sooner or later and whether we care to admit it or not, most of us will grow to
Assault On Precinct 13 (1976) – Review
An inspired fusion of Rio Bravo and Night Of The The Living Dead made for as little money as possible, Assault On Precinct 13 is
Timecop (1994) – Review
You wouldn’t think that there would be much to thank the 1994 adaptation of Street Fighter for, but despite being a stunning turkey fueled by
Star Trek: First Contact (1996) – Review
I think it a fair statement to say that the first cinematic voyage of the crew of the Next Generation wasn’t as auspicious as it
True Grit (1969) – Review
John Wayne accumulated as many iconic roles in his legendary career as anyone else I can recall – which is doubly impressive when you consider
The Invisible Man Returns (1940) – Review
When 1940 rolled around, Universal had already started in unleashing a fusilade of sequels to the inpressive string of horror hits that they had accumulated
Eternals (2021) – Review
It seems that everything there was to be said about Eternals – the Marvel Cinematic Universe’s 26th feature venture – had already been stated before
Idle Hands (1999) – Review
The stoner comedy is a genre I personally think doesn’t age particularly well. You can see my point, right? Goofy movies filled with lovable losers
The Harder They Fall (2021) – Review
The predominantly black western isn’t exactly a kind of movie that’s blossomed over the years and if we’re being technical, we can’t even fully count
Army Of Thieves (2021) – Review
Inbetween the slow motion skull splats, unexplained robots and suggested alien influences of Zack Snyder’s entertaining but overstuffed Netflix opus Army Of The Dead, one
The Mummy Returns (2001) – Review
The early millennium must have been Willy Wonka’s Chocolate factory for any filmmaker with adolescent tendencies who had been hired to tackle a sizable summer
Shaft (2019) – Review
After remaining stubbornly dormant for nearly 20 years after Samuel L. Jackson slipped on the black turtle neck, I don’t think anyone was really expecting
Revenge Of The Creature (1955) – Review
Even though he’s proudly lumped in with his other horror contemporaries as a fully paid up member of the Universal Monsters gang, it’s easy to
Antlers (2021) – Review
Artful monster movies seem to be all the rage these days…Be it a black coated Babadook launching an all out attack on a woman struggling
City Of The Living Dead (1980) – Review
I’ve often found it a little frustrating that the old school maestros of Italian horror such as Argento, Bava and Soavi are hailed for their
Last Night In Soho (2021) – Review
There’s something about seeing a beloved filmmaker maturing in their career that makes me stupidly grin like a proud papa. I felt it with Sam
Shivers (1975) – Review
Way before the uproar that faced Crash in 1996, it seems that even as early as his third film, David Cronenberg had what it took
Deep Red (1975) – Review
Known in its native Italy by the equally impressive sounding Profondo Rosso, Dario Argento’s Deep Red is arguably the pinnacle of the sub-genre known collectively
Blade Runner 2049 (2017) – Review
Hollywood’s history of 30 years later “legacy” sequels (give or take) hasn’t exactly been a badge of quality – long mooted returns like Independence Day:
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