From Dick Maas, the man who gifted us with the killer lift movie unsurprisingly titled, The Lift (actual tag line: For God’s Sake Use The
Author: greigzilla
When not doing things for a movie website... Greig watches movies.
Top 5 Times The Fast And Furious Saga Gave Reality The Middle Finger Part 1: The Action
So before any of you get worked up with indignant rage that little old me is unfairly picking on a global, multibillion dollar phenomenon, let
El Mariachi (1992) – Review
Forged from the same independent fires that gave us Sam Raimi’s The Evil Dead and Peter Jackson’s Bad Taste, Robert Rodriguez emerged from the independent
No Retreat, No Surrender 2: Raging Thunder (1987) – Review
Sequels that refuse to follow on from their predecessors are a curious beast – and I’m not talking the Evil Dead’s disinterest in following it’s
Sgt. Kabukiman N.Y.P.D. (1990) – Review
After the success of their 80’s trash classic The Toxic Avenger gave them global recognition on a cult scale (not to mention their endearing mascot,
Wrath Of Daimajin (1966) – Review
If there was a flaw in the inpenetrable stone armour of the vengeful Golem Kaiju known as Daimajin, it’s that his vastly underrated first two
Tarzan And His Mate (1934) – Review
Ever since Johnny Weissmuller’s version of Edgar Rice Burroughs legendary beefcake literally first swung into theaters with 1932’s Tarzan The Ape Man, you’d be hard
House (1986) – Review
Not to be confused with the adventures of Hugh Lauries’ massive wanker of a doctor, or the utterly indescribable 1977 Japanese horror fantasy fever dream,
Final Destination 2 (2004) – Review
“Faster, more intense” may be a term far more notorious for George Lucas’ directing style but it’s also a fitting description for a horror sequel’s
Critters (1986) – Review
In the wake of Joe Dante’s magnificently subversive Gremlins, Hollywood predictably had a two-for-one sale on any script that featured assaults from gangs of diminutive
Tarzan The Ape Man (1932) – Review
The 30’s in Hollywood was a crazy time. As technological advancements meant that filmmakers could experiment as never before and the screen was seeing the
A Quiet Place Part II (2021) – Review
After a seemingly endless wait where we endured our own (thankfully temporary) dystopia of separation and social breakdown, the sequel to John Krasinski’s majestic horror/thriller
No Retreat, No Surrender (1986) – Review
America obviously doesn’t have the same history with the medium of martial arts as the places that birthed them; but when has that ever stopped
The Conjuring: The Devil Made Me Do It (2021) – Review
After a four year period playing second fiddle to the various creepy bastards who live rent-free in their basement, it’s finally time for horror’s First
Escape Room (2019) – Review
Any of the twelve of you out there who are crazily desperate for a gore free Saw ripoff can rest easy, because Escape Room exists
Resident Evil: Extinction (2007) – Review
Long before Zack Snyder’s much ballyhooed Army Of The Dead placed the ravenous undead in the sand wastes of Las Vegas Nevada, the third instalment
Army Of The Dead (2021) – Review
While I frequently run hot and cold with the cinematic output of Zachary Edward Snyder, there’s no denying that my favorite movie of his by
The Golden Child (1986) – Review
To a certain generation, Eddie Murphy is known as the beloved star of of such family extravaganzas such as Shrek, Shrek 2, Shrek The Third
Spiral: From The Book Of Saw (2021) – Review
A true horror legacy is the one that stubbornly refuses to roll over onto it’s back and expire no matter how how many years go
Final Destination (2000) – Review
Following in the deep, deep furrow ploughed in the horror genre by the wildly successful, teen-centric Scream movies, Hollywood dutifully continued putting out movies that
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