Back in the day, before part 4’s, 5’s and 6’s started bloating out virtually every long running franchise out there – there was something comforting
Author: greigzilla
When not doing things for a movie website... Greig watches movies.
Red Dragon (2002) – Review
Of all the attempts to confine Hannibal Lector, Thomas Harris’ irresistibly refined bogeyman on the screen, none has had more versions than his original appearance
Freaked (1993) – Review
Anyone wondering what the hell happened to Alex Winter during the wilderness between the release of Bill & Ted’s Bogus Journey and Bill & Ted
Dawn Of The Planet Of The Apes (2014) – Review
The rebirth of the Planet Of The Apes franchise seemingly came from nowhere, exploding from out of the foliage, teeth bared in a defiant screech
Phantasm: Oblivion (1998) – Review
It’s a common fact that when your horror franchise continues over an extended period of time the audience tends to shrink until only the faithful
Escape From New York (1981) – Review
John Carpenter has always been known as a director who’s always been somewhat ahead of his time – hell, let’s be honest here, we’re only
The Babysitter: Killer Queen (2020) – Review
Back in 2017 Netflix knocked out a feisty comedy horror that not only rose about the usual three-star-and-under type of throwaway film that they usually
Bill & Ted Face The Music (2020) – Review
Like, woah… Of all the belated comebacks made by cinematic characters over the last few years, surely the return of the eternally upbeat slackers known
Phantasm III: Lord Of The Dead (1994) – Review
Back in 1979, indie filmmaker Don Coscerelli realised that to make some money, maybe he should shift his efforts from making family movies like Kenny
Indiana Jones And The Temple Of Doom (1984) – Review
Thanks the rebel crushing and son maiming efforts of The Empire Strikes Back, it’s always been accepted that the follow up should always endeavour to
Rise Of The Planet Of The Apes (2011) – Review
Admit it. When YOU first heard that the Planet Of The Apes franchise was going to be yanked back into life (possibly while in a
Dune (1984) – Review
We live in a time when seemingly unfilmable novels of mammoth size and complexity have finally been wrestled down to manageable length for our voracious
Raiders Of The Lost Ark (1981) – Review
By as early as 1981, Steven Spielberg had pretty much already set his legacy in concrete with the releases of the genre defining Jaws and
Unhinged (2020) – Review
Cinema has more than it’s fair share of mental cases lurking in plain sight, just waiting to obsessively stalk normal, everyday folk for our entertainment.
Tenet (2020) – Review
What with pandemics and social anxiety making the world around us an ever more stressful environment, you may be forgiven for feeling the urge to
The New Mutants (2020) – Review
The X-Men have faced many an obstacle in their long and varied career that includes everything from Magneto’s latest hissy fit to Mojo desperately needing
Crawl (2019) – Review
Over the last couple of years there’s been an impressive assault on the multiplexs by the Phoenix style resurgence of the killer shark movie. Finally
Meet The Feebles (1989) – Review
To most, Peter Robert Jackson is the keeper of Middle-Earth, a man second only to J.R.R. Tolkien himself when it comes to realising THE greatest
Phantasm (1979) – Review
During the 70’s, the horror genre had made huge steps in moving away from the cobwebby old backdrops of Hammer’s various movies thanks to the
Ong-Bak (2003) – Review
There’s a story about sternum-crushing Thai juggernaut Tony Jaa that I really hope is true. When asked during an interview who his influences are, one
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