On paper, John McTiernan’s remake of the slick, 1968 crime caper, The Thomas Crown Affair should have provided anything new – I mean, just look
Author: greigzilla
When not doing things for a movie website... Greig watches movies.
Winnie The Pooh: Blood And Honey II (2024) – Review
I guess as someone who grew up in the 80s, I should be utterly unfazed by thr arrival of any unnecessary horror sequels, but even
Twisters (2024) – Review
Ok, before we take this movie for a spin, can I take a quick poll? Was there actually a call for a legacy sequel to
Dante’s Peak (1997) – Review
In hindsight it all becomes staggeringly obvious. Of course you’d send a James Bond actor to tackle a monstrous volcano – after all, don’t most
Longlegs (2024) – Review
It happens approximately around once a year. You’ve all seen it, that quote on the year’s most anticipated horror film that usually reads something like
Identity (2003) – Review
I have to admit, when Identity first was released, was fairly nonplussed about its “classy” slasher stylings and a left field plot twist that felt
Heavenly Creatures (1994) – Review
Have you ever taken a step back and fully appreciated how frickin’ insane Peter Jackson’s journey from Bad Taste to Lord Of The Rings truly
Count Yorga, Vampire (1970) – Review
Thanks to the iconic efforts of both Universal Studios and Hammer, the domain of the Vampire had comfortably been established since the 30s as lush
Night Terrors (1993) – Review
There’s a common belief that the quality control of Tobe Hooper took a brisk march off a cliff after the release of his blockbusting, Spielbergian
The Gorgon (1964) – Review
While it’s hardly fair to say that Hammer Studios only made endless adventures featuring the antisocial exploits of Peter Cushing’s Frankenstein and Christopher Lee’s Dracula,
Tarzan And The Huntress (1947) – Review
Playing the same character twelve times on the bounce is nothing to be sneezed at, but it has to be said, by the time we
48 Hrs. (1982) – Review
There are many things that set 48 Hrs. apart from the crowd. One is that it’s the film that shuffled the tropes of the buddy
Kill (2023) – Review
Sometimes, simply having a guy punch another guy in the face us all you need for action cinema to cross the great divide of a
MaXXXine (2024) – Review
In 2022, Ti West and Mia Goth collaborated to give us X, a movie that attempted to change the attitude to sex that many, previous,
Frenzy (1972) – Review
Alfred Hitchcock is usually considered the purveyor of the classy thriller, giving his complex scenarios an air of respectability regardless of having his movies packed
The Burning (1981) – Review
1981 was something of a banner year for the slasher film that not only saw the first of many Friday The 13th and Halloween sequels,
Edmond (2005) – Review
On paper, a union between splattery horror director Stuart Gordon and celebrated writer David Mamet seems like an odd combination. Had Gordon hit the mainstream
Highlander: The Source (2007) – Review
When a franchise loses it’s way as much as the Highlander movies have, you often find yourself being quite surprised about how far the series
In A Violent Nature (2024) – Review
Much like the hulking, masked marauders that lurk within, the 80s slasher genre was something of a simplistic engine of destruction that moved inexorably toward
Beverly Hills Cop: Axel F (2024) – Review
Hey, listen – if the Bad Boys and Maverick from Top Gun can suddenly explode back onto the screens in explosive adventures that manage to
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