It’s hold my hands up and confess time – aside from the obvious (Oldboy), I’m not particularly well versed in the spellbinding career of South
Author: greigzilla
When not doing things for a movie website... Greig watches movies.
Return To Silent Hill (2026) – Review
It’s always a reason to celebrate when negative cinematic streaks get broken. Take the notion that all video game adaptations are generally crap thanks to
The Man Who Knew Too Much (1956) – Review
No one in the movie business is above tackling a remake. Be it Steven Spielberg altering the likes of A Guy Like Joe, or redoing
Ringu 0 (2000) – Review
How vital are origin stories, really? If you’re a superhero I’d argue that they’re pretty damn important unless you’re understandably bored of seeing Uncle Ben
Fallout – Season 2, Episode 6: The Other Player (2026) – Review
Fallout has been rightly commended for spinning out many varied story lines while adapting the smash hit video game franchise that tells a gargantuan tale
The Third Man (1949) – Review
There comes a time when you watch an older film only to find, much to an incredibly surreal realisation, that you are undoubtedly watching something
Sometimes They Come Back… For More (1999) – Review
We live in a time where expansions on the works of Stephen King take the form of things like Castle Rock, or Welcome To Derry,
Ocean’s Eleven (1960) – Review
There are certain things that spring instantly to mind when you think of the glittery, neon soaked streets of old school Las Vegas – slot
Killer Whale (2026) – Review
Maybe filmmakers need to give aquatic predators a rest for a bit. While the past few years have seen some commendable attempts to put a
Tales From The Crypt – Season 1, Episode 6: Collection Completed (1989) – Review
Just what the hell does director Mary Lambert have against animals anyway? Not only did the filmmaker helm not one, but two Pet Sematary movies
The Rip (2026) – Review
When they first landed thanks to Good Will Hunting, it seemed that childhood buddies turned Hollywood hot tickets Matt Damon and Ben Affleck we close
Dust Bunny (2025) – Review
Be it Pushing Daisies or the magnificence that was was Hannibal, Bryan Fuller is known for creating diverse, weird, surreal universes that can veer into
Stranger In Our House (Aka. Summer Of Fear) (1978) – Review
When comparing the 70s/80s filmographies of some of horror’s leading lights, you can see a clear line of progression from their scrappy beginnings to the
Fallout – Season 2, Episode 5: The Wrangler (2026) – Review
As if Fallout hasn’t already destroyed enough by laying waste to an entire civilisation – and then picking apart the civilisations within the civilisations –
28 Years Later: The Bone Temple (2026) – Review
In a year that saw an exemplary run for horror films, surely 28 Years Later was one of the more overtly out-there and unpredictable entries.
Flushed Away (2006) – Review
Maybe I should just lighten up a bit when it comes to animated movies (especially when it comes to the more kid orientated stuff), but
Curse Of The Puppet Master (1998) – Review
We live in a time where long running franchises seem to have a set vision and a badic plan on where they’re going and how
Primate (2025) – Review
Despite being absolutely fucking terrifying creatures, there’s a sense the cinema has inly really scratched the surface with the killer ape movie. Oh, I’ll grant
Tales From The Crypt – Season 1, Episode 5: Lover Come Hack To Me (1989) – Review
While it’s been widely recognised that HBO’s Tales From The Crypt helped bring more tangible, graphic and noticably wetter violence to the small screen than
Ice Road: Vengeance (2025) – Review
So, I feel like I have to ask. Who actually benefits from these endless action excursions that Liam Neeson keeps insisting on undertaking? Obviously Neeson
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