And so finally here we all are. It’s been over a 30 year wait to see what the Ewok after-party would bring in the wake

And so finally here we all are. It’s been over a 30 year wait to see what the Ewok after-party would bring in the wake
On screen, Star Wars is a franchise that has continuously obsessed with it’s own past. Prequels, animated shows and Rogue One all busied themselves by
Despite being bestowed with some of the greatest superpowers a wish list could contain, you can’t help but feel that sometimes the last son of
In the interest of clarity, the version of King Kong Vs. Godzilla I am reviewing here is the U.S. version. How does this make a
Star Wars spinoffs are a risky thing. For every TV show that hits a Wamp Rat dead centre we get servings of excruciating awfulness like
5 or so years after his much publicized comeback, Toho finally capitalised on it by kick starting a new era and rebooting Godzilla and a
Before 1954, filmdoms premier leading man in the giant monster stakes was King Kong. A roaring slice of romanticized Americana and an unabashed helping of
After nearly a decade of hibernation Toho Studios figured it was high time to resurrect it’s most famous creation but with a slight difference. Ignoring
To put things bluntly, Godzilla Vs. Gigan isn’t really about anything. Oh sure, it has a PLOT (barely) but while it’s tonally scattershot predecessor, Godzilla
Couple of years ago Jordan Peele exploded onto the motion picture scene with Get Out, an incredibly effective slice of social-horror that drew heavily on
Representation in blockbuster cinema is quite the topic these days and rightly so – after all, making contemporary movies with settings and story themes that
Out of nowhere Godzilla wades ashore without warning and proceeds to lay waste to the surrounding area with not a hint of the nice-guy persona
As we barrel through an MCU currently loaded with Groots, Infinity Wars and more alien races than a Star Trek Tinder app, it’s easy to
When Transformers: The Last Knight (or as I came to call it The Last Straw) trundled into multiplexes last year it wasn’t so much a
In a series of films that have so far contained a one percenter wearing a snug suit of techno-armour, a raging, green id monster and