As we reach the half way point in The Walking Dead’s latest spin-off series, Dead City, it’s still something of a case of same old,
Author: greigzilla
When not doing things for a movie website... Greig watches movies.
The Cat o’ Nine Tails (1971) – Review
After setting Italian Giallo cinema ablaze with his stunningly stylish debut, The Bird With The Crystal Plumage, Dario Argento had something of an impossible task
Deep Blue Sea 3 (2020) – Review
When you consider that one of my many, major peeves about Deep Blue Sea 2 – the massively belated, low budget follow up to Renny
Indiana Jones And The Dial Of Destiny (2023) – Review
How much did we really need another Indiana Jones movie? After Kingdom Of The Crystal Skull screwed up Last Crusade’s note perfect ending with CGI
Memento (2000) – Review
Right from the beginning, Christopher Nolan has been obsessed with the way that time and narrative can be so easily be manipulated by the magic
Skull Island – Season 1, Episode 5: Doggone It (2023) – Review
Yes, it’s been a long standing complaint and yes, it’s a song I’ve regrettably sung many times before, but why the hell do modern animated
Secret Invasion – Season 1, Episode 2: Promises (2023) – Review
So, how about that shock death in last week’s episode, huh?I didn’t make much of a point of it before because of a couple reasons,
Tetsuo: The Iron Man (1989) – Review
Less a coherent movie and more of a deranged art installation, Shinya Tsukamoto’s utterly insane Tetsuo: The Iron Man is something of an enigma.Welding and
A Bay Of Blood (1971) – Review
When people throw around well deserving names like Dario Argento and Lucio Fulci when describing the pinnacles of Italian horror, another name that isn’t hurled
Skull Island – Season 1, Episode 4: Breakfast Fit For A Kong (2023) – Review
There is so much to enjoy about Skull Island, Netflix’s annimated continuation of Legendary’s MonsterVerse franchise, and yet despite fun dialogue, perky banter and some
Gremlins: Secrets Of The Mogwai – Season 1, Episode 10: Never Ever Expose Them To Bright Light (2023) – Review
Resuscitating a dormant franchise from its hibernation can often be a double-edged blade with more rules and pitfalls than opening one of the titular Mogwai
The Walking Dead: Dead City – Season 1, Episode 2: Who’s There? (2023) – Review
Aside from the original series and around four seasons of Fear The Walking Dead, I kind of fell out of favour with the other spin-offs
Skull Island – Season 1, Episode 3: What’s Up, Croc (2023) – Review
Due to a suprisingly high rate of TV reviews I had decidedly to inflict upon myself (what can I say, I’m a hard taskmaster), I
True Grit (2010) – Review
The Coen Brothers are probably two most reliable filmmakers working today, but their output during the ’00 was uncharacteristically shakey. Starting the decade off with
Gremlins: Secrets Of The Mogwai – Season 1, Episode 9: Never Give Up (2023) – Review
This was the episode I was waiting for…All throughout Max’s superlative prequel series to Joe Dante’s Gremlins, there was certain expectations that couldn’t be helped:
Skull Island – Season 1, Episode 2: The Last Blank Space On The Map (2023) – Review
After a solid opening that brought us back to Skull Island with a bump, Neflix’s King spinoff already set up some reassuring credentials. Neither slavishly
The Goonies (1985) – Review
During that impossibly fertile period in the 80’s where Amblin Entertainment would make whatever idea Steven Spielberg, virtually breathed on, a small cadre of directors
Skull Island – Season 1, Episode 1: Maritime Pilot (2023) – Review
Conventional wisdom suggests that there are certain rules to establishing and sustaining a cinematic universe. If we were to read from the individual playbooks of
The Fifth Element (1997) – Review
The nineties were a weird, vibrant time for blockbusters as CGI came of age and the only thing that could stop you from realising your
Secret Invasion – Season 1, Episode 1: Resurrection (2023) – Review
Despite being something of a god figure of the MCU, there hasn’t been many entries in the exponentially expanding cinematic universe that’s actually been about
We Have Issues 