In The Grey (2026) – Review

It’s amusing to think that once upon a time, Guy Ritchie was criticised for typecasting himself as a director who solely made “mockney” gangster flick

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Runner (2026) – Review

In something of a confusing move, we find that only a couple of weeks after Amazon released Gal Gadot’s abysmal jog-or-die action/thriller, The Runner, Alan

Freebie And The Bean (1974) – Review

While Richard Donner’s Lethal Weapon is frequently credited for crystallising the rules and tropes of the buddy cop movie for 80s audiences, there were plenty

The Death Of Robin Hood (2026) – Review

Famous tales, especially the old ones, are always open to reinterpretation, but even by gritty, grisly, grounded standards, Michael Sarnoski’s The Death Of Robin Hood

The Runner (2026) – Review

Am I mistaken, or has Gal Gadot fallen from portraying one of the big three of the DC lineup, to becoming the poster girl of

Mayday (2026) – Review

OK, I know what you’re thinking. A direct to streaming action/comedy with Ryan Reynolds as the star? It’s hardly a badge of quality these days

Striking Distance (1993) – Review

When crafting a movie, it helps to have something of a cohesive vision of what the final product will look like. Tone, plot, characters –

Mutiny (2026) – Review

Oh Jason Statham, where will you turn up next?I don’t know if it’s just my imagination, but are we getting more Statham movies a year

Salt (2010) – Review

For a while there, it seemed like the spy movie was predominantly a boy’s club that gave such agents as James Bond, Jason Bourne and

The Commuter (2018) – Review

Does Liam Neeson suffer from problems with unfamiliarity or something? I mean, we all like a daily routine, but by 2018 it really did seem

Bastille Day (2016) – Review

Anyone else think how it’s genuinely weird it is that so many horror directors suddenly find themselves directing action flicks nowadays? If it isn’t the

Bulletproof (1987) – Review

It’s not like we need any more examples, but just in case you felt a more under the radar example was needed to prove that

3000 Miles To Graceland (2001) – Review

Some movies feel like they were always destined to be made. That their creation was perfectly timed and formed in the very stars themselves, that

The Furious (2025) – Review

It seems that every decade, the gods of ludicrously brutal martial arts movies see fit to deliver us generational examples of very angry people pounding

Homefront (2013) – Review

Whether you appreciate the bald, hard-hitting stylings of Jason Statham or not, you have to admit that he’s certainly etched his name into the mighty

Night Of The Juggler (1980) – Review

I suppose I’d best make space in that file in my brain that’s labeled “How The Hell Had I Not Seen This Before?”, because I

Priest (2011) – Review

Sometimes your first instinct is bang on the money. Based on a Korean comic book I’ve never read which was in turn based on a

Non-Stop (2014) – Review

While Taken certainly has the bragging rights for making Liam Neeson a late-career action star, you really can’t under-sell the efforts of director Jaume Collet-Serra

Premium Rush (2012) – Review

Bike messengers. Not exactly the most beloved members of our city streets, are they? Whizzing in and out of traffic, mounting pavements and generally being

Normal (2025) – Review

Should we be concerned about Bob Odenkirk’s self confidence, or something? The former Saul Goodman may appear, Liam Neeson style, as a mature-aged action stalwart

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