There’s a trio of 50’s, sci-fi creature features that have always stood out from the pack for me. The first is Howard Hawk’s 1951 frosty
Category: Review
Resident Evil: Retribution (2012) – Review
Despite the occasional blip, the Resident Evil franchise is as reliable as their increasingly annoying codas that usually close their movies with a massive status
Star Trek IV: The Voyage Home (1986) – Review
There’s a rule of thumb concerning the earlier, pre-JJ Abrams Star Trek movies that you probably have heard of – it’s the one that states
The Night House (2021) – Review
I marked David Bruckner as a talent to watch ever since I watched his “Amateur Night” segment in the analogue anthology movie V/H/S and my
Censor (2021) – Review
The Video Nasties hysteria of the 80’s was an era in British cinema history that I’ve always found fascinating in a terrifying way. A child
Reminiscence (2021) – Review
Sci-fi/noir has created some memorable bangers over the years which is fitting considering its newest entry, Reminiscence, is all about memory and is a Nolan-esque
Snake Eyes: G.I. Joe Origins (2021) – Review
There’s some of you out there who would claim that the much maligned G.I. Joe franchise desperately needed rebooting (possibly with a bullet behind the
Final Destination 5 (2011) – Review
Despite death being a tireless entity that eventually comes for us all, it seems that it only had five movies in it, which surprises me
Howling IV: The Original Nightmare (1988) – Review
Well, I guess it’s time to once again dip into the Howling franchise, a rapid succession of literal howlers that stands to this day as
Shaft (1971) – Review
Anyone unfamiliar with the blaxploitation pictures of the 70’s usually pictures the more cartoonish end of the spectrum with glorified pimps dressed in garish refinery,
Omen IV: The Awakening (1991) – Review
These days, switching an established horror series over to the small screen is a fairly regular and painless occurrence with franchises such as The Evil
Don’t Breathe 2 (2021) – Review
When deciding to take a villain from a genre flick and flip the audience’s perception of them for a sequel or reimagining, much like the
The Mummy’s Tomb (1942) – Review
When Universal Studios decided to up-shift the amount of movies that featured their stock horror characters, you get the genuine impression that the Mummy might
Star Trek III: The Search For Spock (1984) – Review
Deep sixing a beloved character in popular fiction has always been fairly complicated. Death threats from outraged basement dwellers with a tenuous grasp of reality
Free Guy (2021) – Review
It’s a well known fact by now that movies that adopt the mechanics of how videogame’s work into their plots usually end up being far
House Of Dracula (1945) – Review
After a relentless release schedule that saw Universal hock its horror characters onto audiences at a punishing rate, it was getting pretty clear that some
Howling III: The Marsupials (1987) – Review
Anyone hoping that the stunning quality drop of Philippe Mora’s Howling II from Joe Dante’s kickass original was only a minor blip in the wildly
Dirty Harry (1971) – Review
The image of Clint Eastwood chewing on a cigar, wrapped in a poncho and squinting at his enemies from underneath a dusty cowboy hat is
Jungle Cruise (2021) – Review
Not content with the seemingly endless stream of content they’ve gleaned from Marvel, Star Wars and all the times they’ve remade their own movies into
The Legend Of Tarzan (2016) – Review
Hands up if you can remember the last Tarzan movie you saw? Not even the last GOOD Tarzan movie, just the last one, period.A George
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