The stoner comedy is a genre I personally think doesn’t age particularly well. You can see my point, right? Goofy movies filled with lovable losers
Category: Review
The Harder They Fall (2021) – Review
The predominantly black western isn’t exactly a kind of movie that’s blossomed over the years and if we’re being technical, we can’t even fully count
Army Of Thieves (2021) – Review
Inbetween the slow motion skull splats, unexplained robots and suggested alien influences of Zack Snyder’s entertaining but overstuffed Netflix opus Army Of The Dead, one
The Mummy Returns (2001) – Review
The early millennium must have been Willy Wonka’s Chocolate factory for any filmmaker with adolescent tendencies who had been hired to tackle a sizable summer
Shaft (2019) – Review
After remaining stubbornly dormant for nearly 20 years after Samuel L. Jackson slipped on the black turtle neck, I don’t think anyone was really expecting
Revenge Of The Creature (1955) – Review
Even though he’s proudly lumped in with his other horror contemporaries as a fully paid up member of the Universal Monsters gang, it’s easy to
Antlers (2021) – Review
Artful monster movies seem to be all the rage these days…Be it a black coated Babadook launching an all out attack on a woman struggling
City Of The Living Dead (1980) – Review
I’ve often found it a little frustrating that the old school maestros of Italian horror such as Argento, Bava and Soavi are hailed for their
Last Night In Soho (2021) – Review
There’s something about seeing a beloved filmmaker maturing in their career that makes me stupidly grin like a proud papa. I felt it with Sam
Shivers (1975) – Review
Way before the uproar that faced Crash in 1996, it seems that even as early as his third film, David Cronenberg had what it took
Deep Red (1975) – Review
Known in its native Italy by the equally impressive sounding Profondo Rosso, Dario Argento’s Deep Red is arguably the pinnacle of the sub-genre known collectively
Blade Runner 2049 (2017) – Review
Hollywood’s history of 30 years later “legacy” sequels (give or take) hasn’t exactly been a badge of quality – long mooted returns like Independence Day:
Lifeforce (1985) – Review
Is there a more apt movie that exists that sums up the questionable business practices of Menahem Golan and Yoram Globus’ legendary cult factory, Canon
The Sons Of Katie Elder (1965) – Review
It seems that as long as you put a six shooter in his belt, an unforgettable line of tough guy wisdom in his mouth and
Psycho Goreman (2020) – Review
There’s somewhat of a saying I may or may not have made up when concerning movies that seem to be aimed at adults while being
Dune (2021) – Review
The opening novel of Frank Herbert’s sci-fi opus has been as stubbonly resistant to a satisfying adaptation as a Sherman tank is to a fusilade
Venom: Let There Be Carnage (2021) – Review
Comic book movies based on established super-powered heroes (or anti-heroes being the case) lead somewhat of a charmed life – if your movie gets an
Halloween Kills (2021) – Review
I remember back in the mists of time when I first saw the trailer to the notoriously wonky Halloween 5, I was excited by a
There’s Someone Inside Your House
Being anything but white and straight in any kind of slasher film has usually meant either one of two things, 1) you’re guaranteed deader than
The Mummy (1999) – Review
Back in 1999, I remember emerging from the cinema feeling a little nonplussed about The Mumny, Stephen Sommers’ mega budgeted remake of the classic Universal
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