While Godzilla’s much hyped rebirth into the realms of Japanese cinema had kicked off in entertaining fashion, you could hardly describe Godzilla 2000 as being
While Godzilla’s much hyped rebirth into the realms of Japanese cinema had kicked off in entertaining fashion, you could hardly describe Godzilla 2000 as being
Godzilla, the big, radioactive lizard with serious mood issues, has been stomping cities flat for over 60 years now, with over 30 titles to his
Godzilla Vs. Mechagodzilla II (which is a title that blatantly makes no sense seeing as it’s a technically ser in a rebooted universe) is generally
To state that Godzilla 2000 is something of a curious beast is something of an understatement even though we’re talking about a lizard so huge,
Fate has a funny way of working out sometimes. Take the two Mechagodzilla movies Toho put out in the mid-70s for example what was supposed
To quote Fight Club: “On a long enough timeline, the survival rate for everyone drops to zero” and this proves to be true even to
After a nearly unbroken string of movies ranging from good to very good, the Heisei series of Godzilla films had but up quite a head
After Godzilla’s previous outing to give Japan a clouting – the furiously timey timey Godzilla Vs. King Ghidorah – parent studio Toho decided to keep
Unhelpfully renamed “Gigantis: The Fire Monster” in the U.S. – presumably because “Godzilla Raids Again” calls up unwanted images of Gojira driving into the front
After the relative box office disappointment of Godzilla’s previous attempt at levelling the skyline of Tokyo into something resembling the Arizona Flats, Toho Studios reasoned
After a somewhat muted response to Godzilla Raids Again, the King Of The Monsters took something of a sabbatical as he literally chilled out within
You’d think that after getting Godzilla back on his feet with a much publicized resurrection , Toho would be eager to put their largest franchise
Despite being burdened with one of the most needlessly unwieldy titles in movies history, Godzilla, Mothra, King Ghidorah: Giant Monsters All Out Attack (for the
Before 1954, filmdom’s premier leading man in the giant monster stakes was King Kong. A roaring slice of romanticized Americana and an unabashed helping of
After swiming off into the sunset at the end of 1975’s Terror Of Mechagodzilla, Toho Studios finally decided to rouse Godzilla from nearly a decade
Social commentary had always been Godzilla’s jam since his atomic inception, however, by the early 70s, this hadn’t really been working for him as well
By the time Godzilla’s career had reached 1967, the salty tempered saurian had pretty much done it all. He’d been cast as a villainous metaphor
Suddenly, out of nowhere, Godzilla wades ashore without warning and proceeds to lay waste to the surrounding area with not a hint of the nice-guy
After his Toho-mandated rumble with King Kong gave Godzilla some much-needed box office, it seemed like a no-brainer for the studio to dig further into