Horror Of Frankenstein (1970) – Review

It’s said that doing the same thing over and over again while expecting different results is a sure way to measure insanity and while the

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Scars Of Dracula (1970) – Review

These days, people are constantly banging on about franchise fatigue with a particular eye on the content flood of superhero movies we get year after

The Vampire Lovers (1970) – Review

Back in their glory days, the vampire-themed horror movies Hammer Films released into an unsuspecting public were always charged with a subtle sexual energy, what

Quatermass II (1957) – Review

Things so easily could have been different…1957 was something of a pivotal year for Hammer Films thanks to the success of The Quatermass Xperiment a

Taste The Blood Of Dracula (1970) – Review

For any studio that tends to focus on a more singular output, the name of the game is to try and make sure your product

Frankenstein Must Be Destroyed (1969) – Review

When the titles started rolling on Hammer’s previous Frankenstein endeavor, there was a feeling that Peter Cushing’s resident violator of the laws of nature was

The Quatermass Xperiment (1955) – Review

When you think about the origins of Hammer Films, your naturally brain naturally drifts to images of Peter Cushing’s Frankenstein staring intently from around a

Lust For A Vampire (1971) – Review

It’s not exactly ground breaking to declare that, compared to most other horror movies made at the time, Hammer Films’ output was noticeably hornier than

Dracula Has Risen From The Grave (1968) – Review

For any long running cinematic character, staying relevant and fresh is the key to success. Take Hammer’s version of Bram Stoker’s legendary vampire Count Dracula,

Frankenstein Created Woman (1967) – Review

If there’s something the Hammer series of Frankenstein movies has over the Universal series, it’s that the British studio opted to keep the films focus

The Curse Of The Mummy’s Tomb (1964) – Review

If I had to unwrap the chief issue I have with classic Mummy films, it’s the fact that the majority of them all seem made

Dracula: Prince Of Darkness (1966) – Review

Sometimes the path of a franchise is never a straight line and in the world of crafting a worthy sequel, telling a continuing story is

The Evil Of Frankenstein (1964) – Review

As Hammer continued to churn out lavish horror flick after horror flick during the swinging sixties, one thing that seemed conspicuous by its absence was

The Brides Of Dracula (1960) – Review

When the concept of endless horror sequels became in vogue and studios wanted to resurrect a franchise worthy character, they’d either bend over backwards to

X: The Unknown (1956) – Review

Sandwiched between two Quatermass movies, X: The Unknown is the second film of an unofficial, sci-fi trilogy that shifted the attention of Hammer Films away

The Kiss Of The Vampire (1963) – Review

Picture the scene: it’s a typically grim day as mourners gather for the funeral of a young woman taken before her time. The sky is

Vampire Circus (1972) – Review

It may be something of a hot take, but when comparing Hammer’s unreasonably sizable catalogue of vampire movies side by side, you start to realise

Countess Dracula (1971) – Review

As Hammer Films cruised into the 70’s, expanding upon the elevated sex and violence the changing times and audience demand required, there was sometimes a

Twins Of Evil (1971) – Review

After lesbian tinged The Vampire Lovers and Lust For A Vampire, Hammer Films closed out their lusty Karnstein Trilogy with Twins Of Evil, an apparent

Hands Of The Ripper (1971) – Review

Hammer Films was chiefly renowned for their revolutionary contributions to the horror genre, but when they weren’t slapping a new coat of paint on such

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