The trailer has been released for Sleeping Dogs. An ex-homicide detective (Russell Crowe) with memory loss is forced to solve a brutal murder he can’t
Category: Thriller
Runaway (1984) – Review
If you needed more proof that the world of filmmaking contains more swings and roundabouts than a playground the size of Erith, all you need
The Lodge (2019) – Review
Never mind heartwarming vistas of families building snowmen and kids sledding down marshmallow white drifts; anyone who knows anything, knows that snow is fucking scary.John
Red Right Hand – Official Trailer
The trailer has been released for Red Right Hand. Cash (Orlando Bloom) is trying to live an honest and quiet life taking care of his
Death Wish 3 (1985) – Review
There always seems to be that telling moment in any long running franchise where it morphs into something so far removed from its original concept,
Martin (1977) – Review
George A. Romero had already earned himself a reputation for adding an original spin on classic horror tropes thanks to his bold reinvention of the
Death Wish II (1982) – Review
There’s not many genres I have trouble stomaching. Slashers? No problem. Italian cannibal movies? Sure, why not? Torture porn? A cakewalk. However, if there’s something
New Year’s Evil (1980) – Review
By 1980, a lot of the choice dates for seasonal set slasher films had already been nabbed with Black Christmas, Halloween and Friday The 13th
Sin City: A Dame To Kill For (2014) – Review
Back in 2005, Robert Rodriguez managed to do the impossible and bottle the impossibly gritty lightning of Frank Miller’s cult, hyper-noir comic, Sin City. He
Death Wish (1974) – Review
It’s strange how the progression of a franchise can colour your perception of the original movie. Take Michael Winner’s Death Wish for example; a 1970s
The Crazies (1973) – Review
Horror has always had it’s more than its fair share of social commentary, but the 70s was it’s own animal entirely. Fueled by the anti-establishment
Sin City (2005) – Review
Even during a decade where comic book movies rose to prominence like never before, Sin City still felt like a lead pipe to the back
Spielberg And Scorsese Bringing ‘Cape Fear’ To Television
Oscar winners Steven Spielberg and Martin Scorsese are executive producing a reimagining of the classic thriller Cape Fear for Universal. It’s a television project that also has Nick Antosca attached
The Killer (2023) – Review
It’s been a while since legendarily meticulous director, David Fincher and alarmingly pessimistic screenwriter Andrew Kevin Walker last collaborated fully on a feature film (Walker
Lift – Official Trailer
Netflix has released the trailer for Lift. An international heist crew, led by Cyrus Whitaker (Kevin Hart), race to lift $500 million in gold from
The Invasion (2007) – Review
For a story that has been remade as much as Jack Finney’s The Body Snatchers, it’s had a surprisingly high rate of success. Don Siegel’s
Killers Of The Flower Moon (2023) – Review
The prospect of any new Scorsese project coming down the pipe is always a tantalising moment, but there’s always that extra burst on endorphins when
Source Code (2011) – Review
There’s the general consensus that Chesney Hawkes loving director, Duncan Jones, has been on a downward spiral since his feature debut, Moon, obliterated us in
Anacondas: Trail Of Blood (2009) – Review
While the previous installment of the Anaconda franchise was hardly a cinematic masterpiece, its awfulness was strangely watchable in a stoned-at-three-in-the-morning kind of way –
Duel (1971) – Review
Even filmmakers who created the modern blockbuster, changed populist cinema forever and arguably gave us more iconic moments on the big screen than any other
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