Horror filmmakers can try to put as many unspeakable terrors on the screen as they can, but all the boogeymen, monsters and apparitions in the
Category: Thriller
Wake Up Dead Man: A Knives Out Mystery (2025) – Review
Since he first wordlessly threw off members of the Thromby clan by simply hitting a single key on a piano, famed, verbose detective Benoit Blanc
Revolver (2005) – Review
It’s not easy to break out of a box you’ve put yourself in, but after Guy Ritchie’s third film – Madonna/Ritchie vanity project Swept Away
Disturbia (2007) – Review
Sometimes a movie concept is just too juicy to not update. What with technology lurching ahead in leads and bounds with every passing year, giving
Cold Pursuit (2019) – Review
Sometimes, misrepresentation can harm a film just as surely as blunt force trauma to the face. If the trailers and posters suggests a certain kind
Cam (2018) – Review
The horror/thriller genres have been gleefully ensuring that we just can’t have nice things for decades as it party poops virtually everything by making it
Now You See Me: Now You Don’t (2025) – Review
I have to be honest, while the Now You See Me movies may walk that perilous tightrope between flashy and obnoxiously smug, I’ve kind of
Now You See Me 2 (2016) – Review
When it came to glossy, enjoyable and utterly ludicrous nonsense that still, inexplicably made you want to punch the air with glee, the 2013 heist
Joy Ride (2001) – Review
Existing somewhere in the cracks between Steven Spielberg’s Duel and Wes Craven’s Scream lies Joy Ride (or Road Kill, if you lived in a country
Bugonia (2025) – Review
Yorgos Lathimos has always dedicated himself to bringing the unnervingly absurd to the masses which has thus far encompassed passive agressive historical farces, infantile dating
Now You See Me (2013) – Review
Magic is a tenuous thing. See it from the right angle and for a miraculous moment you’d believe that the impossible is possible as you’re
The General’s Daughter (1999) – Review
Where do you go after crafting ludicrously entertaining action romp Con Air? Well, for director Simon West you apparently shoot for the complete tonal opposite
Exterminator 2 (1984) – Review
When it comes to tactless examples of vigilante cinema, there’s something about the simple sleeze of James Glickenhaus’ fascinatingly nasty The Exterminator that really stood
Righteous Kill (2008) – Review
It’s an inescapable fact that nobody’s perfect. Think of your most cherished cinematic idol and chances are they screwed the pooch at least one time
The Lost Bus (2025) – Review
Once upon a time, disaster movies were lavish affairs that saw an all-star cast either fighting or running from some unimaginable act of destructive carnage,
One Battle After Another (2025) – Review
Heroes come in all shapes and sizes – from the sight of John McClane fighting bad guys in a vest, to the muscles on John
The Exterminator (1980) – Review
The vigilante genre – especially ones that also dabble in Nam-sploitation – tend to be quite a grim prospect both in tone and in (pun
The Guest (2014) – Review
After the team of director Adam Wingard and writer Simon Barrett managed to flip the trope of the Final Girl on its head (and then
The Long Walk (2025) – Review
In a time where the vast majority of King adaptations are already on their second, or even third go round, it’s somewhat refreshing to find
The Taking Of Pelham One Two Three (1974) – Review
There’s something about a 70s thriller that just hits different. Maybe because it was a decade so utterly berefted of sanded down edges that just
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