The Skull (1965) – Review

Amicus Productions may not have had the longevity and fame of their distinguished competitor, Hammer, but they frequently proved their worth time and time again

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Cape Fear (1962) – Review

Sometimes, watching a film and its remake ass-backwards can be a shocking mistake to make. Watch the redux first – even one as top drawer

Ocean’s Eleven (1960) – Review

There are certain things that spring instantly to mind when you think of the glittery, neon soaked streets of old school Las Vegas – slot

Bunny Lake Is Missing (1965) – Review

When it comes to delivering truly unsettling, psychological thrillers, I feel that the general public isn’t giving certain decades their flowers. Oh sure, the 70s,

The Phantom Of The Opera (1962) – Review

After taking up the horror baton from the truly seminal, genre defining run of creature features from Universal, Hammer Studios had carte blanche to take

The Devil Rides Out (1968) – Review

We all know the deal with a Hammer horror movie by now, right? More often than not it’s an adaption/sequel of an existing property such

The Reptile (1966) – Review

When you think of Hammer Studios, you tend to conjure up mental images of old castles, crayon red blood, heaving cleavage and big old mutton

Hercules In The Haunted World (1961) – Review

What, you didn’t think hiring an auteur to leap aboard a franchise movie and craft a new, distinctive adventure for a recognizable character was a

Tarzan And The Great River (1967) – Review

If there was a noticable flaw with Mike Henry’s tenure as Edgar Rice Burroughs’ lion grappling, vine travelling adventurer, is that his trio of Tarzan

Dogora (1964) – Review

For a little while there, I was getting a little worried. When casting an eye over the filmography of IshirĹŤ Honda I was starting to

Marnie (1964) – Review

If there’s anything that Alfred Hitchcock loved more than an impeccably plotted setpiece or perfectly planned shot, it probably was taking the fraying psyche of

I Am Sartana, Your Angel Of Death (1969) – Review

While the weird and wonderful world of Spaghetti Westerns can understandably be rather a niche and confusing place thanks to each film often owning a

Zulu (1964) – Review

As time steadily ticks on, it often mean that certain opinions or takes on history tend to fall out of favour when more modern and

The Mercenary (1968) – Review

There are those who view the dusty, sardonic works of Sergio Leone and feel that they’ve seen all they need to see when it comes

Black Sabbath (1963) – Review

Just how exactly does a film that isn’t a household name get to be so ridiculously influential? Think I’m overacting? OK, stick with me here:

Django The Bastard (1969) – Review

Guess what, cowpokes? It’s time to delve back into the weird, wonderful and wildly out of control world of the unofficial Django spin off that

The Great Escape (1963) – Review

You can hear it right now, can’t you? The very second you read that title, I’m willing to bet folding money that Elmer Bernstein’s transcendent

If You Meet Sartana Pray For Your Death (1968) – Review

It seems that the Wild West was quite the crowed place when you consider how many drifting, nomadic, charismatic gunslingers seemed to roamed the land,

Sabata (1969) – Review

While the Western genre may not have as many reoccurring characters as, say, horror or action, there still are a few pistol drawing, longpokes who

Black Sunday (1960) – Review

While Mario Bava doesn’t seem to get as much credit for creating a certain kind of visual style (I didn’t see him get name-dropped in

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