If there was a noticable flaw with Mike Henry’s tenure as Edgar Rice Burroughs’ lion grappling, vine travelling adventurer, is that his trio of Tarzan
Tag: 1967
Torture Garden (1967) – Review
After launching their particular brand of Hammer-alternative horror films with Dr. Terror’s House Of Horrors, Amicus honchos Milton Subotsky and Max Rosenberg decided that sticking
Point Blank (1967) – Review
The American crime movie has always been cool as it usually features really bad people doing really bad things in a way that’s perversely endearing;
Casino Royale (1967) – Review
Outside of the monopoly that EON Studios has on all things James Bond, there are two, pesky variants that lurk just outside of the realms
The Mummy’s Shroud (1967) – Review
If I had to unwrap my personal feelings concerning the nature of the Mummy movie, I’d have to be honest and suggest that filmmakers simply
Son Of Django (1967) – Review
Also known as Return Of Django and the far more apt, Vengence Is A Colt 45, Son Of Django is one of the more blatant
Yongary: Monster From The Deep (1967) – Review
One of the most fascinating things about the success of Ishiro Honda’s Godzilla back in 1954 is that other countries decided to give the whole
Django Kill… If You Live, Shoot! (1967) – Review
Anyone even remotely familiar with the knowledge that Italian exploitation producers treat copyright and trademark laws like something they’ve just scraped of the sole of
Frankenstein Created Woman (1967) – Review
If there’s something the Hammer series of Frankenstein movies has over the Universal series, it’s that the British studio opted to keep the films focus
Quatermass And The Pit (1967) – Review
Much like the disbelieving military types that constantly frustrate the volcanic titular scientist, I’ve kinda done the Quatermass movies ass-backwards. You see, Hammer Film’s third
The Dirty Dozen (1967) – Review
You know what most of those war time movies featuring men on a desperate mission have in common – apart from usually having big Hollywood
Gappa: The Triphibian Monsters (1967) – Review
When you get past the recognisable scaley visages of the Kaiju rogues gallery of Toho and Daiei and continue onwards into the realms of the
You Only Live Twice (1967) – Review
It’s a true fact that nothing lasts forever and that sooner or later Sean Connery’s reign as cinema’s premiere super spy would have to come
Gamera Vs. Gyaos (1967) – Review
Every long running hero absolutely needs a villain: Batman has the Joker, Godzilla has Ghidorah and even I have an annoying cat that lives on
King Kong Escapes (1967) – Review
Despite their routinely “out there” plots, most of Toho’s monster output still manage to make a certain amount of sense when judged by their own
Son Of Godzilla (1967) – Review
By the time Godzilla’s career had reached 1967, the salty tempered saurian had pretty much done it all. He’d been cast as a villainous metaphor
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