Tarzan And The Great River (1967) – Review

If there was a noticable flaw with Mike Henry’s tenure as Edgar Rice Burroughs’ lion grappling, vine travelling adventurer, is that his trio of Tarzan

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Torture Garden (1967) – Review

After launching their particular brand of Hammer-alternative horror films with Dr. Terror’s House Of Horrors, Amicus honchos Milton Subotsky and Max Rosenberg decided that sticking

Point Blank (1967) – Review

The American crime movie has always been cool as it usually features really bad people doing really bad things in a way that’s perversely endearing;

Casino Royale (1967) – Review

Outside of the monopoly that EON Studios has on all things James Bond, there are two, pesky variants that lurk just outside of the realms

The Mummy’s Shroud (1967) – Review

If I had to unwrap my personal feelings concerning the nature of the Mummy movie, I’d have to be honest and suggest that filmmakers simply

Son Of Django (1967) – Review

Also known as Return Of Django and the far more apt, Vengence Is A Colt 45, Son Of Django is one of the more blatant

Yongary: Monster From The Deep (1967) – Review

One of the most fascinating things about the success of Ishiro Honda’s Godzilla back in 1954 is that other countries decided to give the whole

Django Kill… If You Live, Shoot! (1967) – Review

Anyone even remotely familiar with the knowledge that Italian exploitation producers treat copyright and trademark laws like something they’ve just scraped of the sole of

Frankenstein Created Woman (1967) – Review

If there’s something the Hammer series of Frankenstein movies has over the Universal series, it’s that the British studio opted to keep the films focus

Quatermass And The Pit (1967) – Review

Much like the disbelieving military types that constantly frustrate the volcanic titular scientist, I’ve kinda done the Quatermass movies ass-backwards. You see, Hammer Film’s third

The Dirty Dozen (1967) – Review

You know what most of those war time movies featuring men on a desperate mission have in common – apart from usually having big Hollywood

Gappa: The Triphibian Monsters (1967) – Review

When you get past the recognisable scaley visages of the Kaiju rogues gallery of Toho and Daiei and continue onwards into the realms of the

You Only Live Twice (1967) – Review

It’s a true fact that nothing lasts forever and that sooner or later Sean Connery’s reign as cinema’s premiere super spy would have to come

Gamera Vs. Gyaos (1967) – Review

Every long running hero absolutely needs a villain: Batman has the Joker, Godzilla has Ghidorah and even I have an annoying cat that lives on

King Kong Escapes (1967) – Review

Despite their routinely “out there” plots, most of Toho’s monster output still manage to make a certain amount of sense when judged by their own

Son Of Godzilla (1967) – Review

By the time Godzilla’s career had reached 1967, the salty tempered saurian had pretty much done it all. He’d been cast as a villainous metaphor