Fortress (1992) – Review

Those familiar with the works of the late, great Stuart Gordon will no doubt cite his gore-tastic and magnificently perverted H.P. Lovecraft adaptations as the

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Tetsuo II: Body Hammer (1992) – Review

There’s been a long and storied history of young, visionary directors who chose to semi-remake their rough-looking, low budget debuts with more cash and experience

Pet Sematary Two (1992) – Review

Back in the late 80s, Mary Lambert pulled of something of an impressive coup. Not only was she one of the rare, women directors working

Split Second (1992) – Review

In many ways, low budget sci-fi in the early 90’s wasn’t that much different from low budget horror in the early 80’s insofar that that

Nemesis (1992) – Review

“I wanted to tell this terrorist that I had given a lot of thought to what she said back in LA. About whether I was

The Last Of The Mohicans (1992) – Review

Michael Mann is known as one of greatest directors of cops and robbers movies that’s ever set foot on a film set, and rightfully so

Memoirs Of An Invisible Man (1992) – Review

At the time it was released, virtually forgotten, 90’s sci-fi comedy Memoirs Of An Invisible Man was criticised that maybe John Carpenter wasn’t exactly the

Children Of The Corn II: The Final Sacrifice (1992) – Review

The sometimes spotty track record of Stephen King adaptations is one thing, but if you really want to trawl the bottom of the barrel when

Police Story III: Supercop (1992) – Review

Regularly touted as one of the greatest action movies ever made, I have to confess that the third entry into Jackie Chan’s ground breaking Police

Universal Soldier (1992) – Review

It wasn’t until 2010’s The Expendables that 80’s action titans Arnold Schwarzenegger and Sylvester Stallone finally stood together in the same movie that wasn’t counting

Under Siege (1992) – Review

It was inevitable, really. After all, Schwarzenegger and Stallone couldn’t remain at the top of the action ladder forever, could they? Sly was licking his

Death Becomes Her (1992) – Review

Wedged somewhat awkwardly in Robert Zemeckis’ filmography between the blockbuster majesty of the Back To The Future trilogy and Who Framed Roger Rabbit? and the

Patriot Games (1992) – Review

It’s actually pretty easy to forget that Harrison Ford has played played a returning character other than Indiana Jones, Han Solo and Deckard from Blade

The Wicked City (1992) – Review

One of the most fascinating ways to compare the differences in the way American movies approach their storytelling when put alongside their global counterparts is

Reservoir Dogs (1992) – Review

While, for a moment there, it seemed that Quentin Tarantino’s incendiary debut was destined to be forever claimed by the legions of film school students

Hellraiser III: Hell On Earth (1992) – Review

It happens to the best of them – that moment where a burgeoning horror icon becomes the main character in their own franchise to the

House IV: The Repossession (1992) – Review

Surely a prime contender for the lesser known “Why Was This Even Made Award” at the Oscars, you have to wonder what the reasoning was

Critters 4 (1992) – Review

Say what you will about the noticably ropey third installment of the Critter movies, at least actually stuff happened. In New Line’s final crack at

El Mariachi (1992) – Review

Forged from the same independent fires that gave us Sam Raimi’s The Evil Dead and Peter Jackson’s Bad Taste, Robert Rodriguez emerged from the independent

Bram Stoker’s Dracula (1992) – Review

Undoubtedly one of the greatest filmmakers of his generation, Francis Ford Coppola, despite regularly touching on the horrors that man inflicts on man, had never

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