We could wax lyrical about which moment from Pixar’s laundry list of emotion searing moments hit hardest, but know this: if your answer isn’t the
Tag: 2000s
Return Of The Living Dead: Rave To The Grave
After the Return Of The Living Dead franchise was brought back from the grave by the Syfy Channel with the annoyingly dopey fourth installment, Necropolis,
War Of The Worlds
There’s nothing more annoying than a movie that looks to be destined for greatness only for it to fall down at the last hurdle thanks
WALL•E
In barely over a decade, Pixar had established itself as the premier animation house, but despite its innovations in storytelling and its commitment to getting
Return Of The Living Dead: Necropolis
Say what you will about the noticably disjointed Return Of The Living Dead franchise, at least it kind of caters to differing tastes. If the
Crimson Rivers II: Angels Of The Apocalypse
In 2000, Jean Reno and Vincent Cassel teamed up with La Haine director Mathieu Kassovitz to deliver The Crimson Rivers, a fidgety psycho thriller that
The Crimson Rivers
After Thomas Harris’ Silence Of The Lambs erupted onto the scene and changed the face of serial killer thrillers forever (sorry, Manhunter), Hollywood has been
The Hills Have Eyes 2
When compared to that other long running franchise of inbred mutants indulging in their vulgar pastimes with stranded holiday makers, The Hills Have Eyes runs
1408
Anyone planning to to adapt a Stephen King story has quite the weight of expectation to match up to, but anyone willing to tackle a
Open Range
There was a time there when Kevin Costner’s stabs at long, drawn-out epics were simply not doing it for the cinema going public. After he
Tears Of The Sun
Whenever Hollywood decides to poke its nose into actual conflicts that rage around the globe, things can often get a little awkward. Sometimes we get
Drag Me To Hell
Over the years, Sam Raimi has been at the bleeding edge of using his movies to torment and torture a surprising array of actors on
The Hills Have Eyes
One thing that became fairly noticeable during the glut of horror remakes that peppered the landscape back in the noughties, is that sometimes they lacked
The Sum Of All Fears
Hollywood’s current obsession with reboots, origin stories, or reboots featuring origin stories isn’t exactly new, in fact it’s proven to be the quickest (if not
Planet Terror (Grindhouse)
In my review for that other member of the Grindhouse double bill, Quentin Tarantino’s Death Proof, I briefly laid out the history of his and
Minority Report
Steven Spielberg, for a good chunk of his career, was the blockbuster king. If a genre busting, box office exploding, cinematic phenomenon appeared during the
Tremors 3: Back To Perfection
Often consisted the weakest entry in the first four Tremors movies, maybe settling on “Back To Perfection” as a subtitle was hoping for too much.
Cars
Pixar rightfully has a reputation for being one of the premier animation houses in cinema history, matching their boundless imagination pound for pound with other
Death Proof (Grindhouse)
Quentin Tarantino has always prided himself on keeping his audience off balance with the plots of his movies – or as he eloquently words it:
Dragonball: Evolution
I’m sure many people will beg to differ (and I’m sure I’ve already mentioned this somewhere before), but accuracy isn’t strictly necessary in order to
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