Often consisted the weakest entry in the first four Tremors movies, maybe settling on “Back To Perfection” as a subtitle was hoping for too much.
Tag: 2000s
Cars (2006) – Review
Pixar rightfully has a reputation for being one of the premier animation houses in cinema history, matching their boundless imagination pound for pound with other
Death Proof (Grindhouse) (2007) – Review
Quentin Tarantino has always prided himself on keeping his audience off balance with the plots of his movies – or as he eloquently words it:
Dragonball: Evolution (2009) – Review
I’m sure many people will beg to differ (and I’m sure I’ve already mentioned this somewhere before), but accuracy isn’t strictly necessary in order to
In The Name Of The King: A Dungeon Siege Tale (2007) – Review
I understand that dragging the limited talents of Uwe Boll through the mud these days is somewhat akin to flogging a dead horse with an
Kill Bill: Vol. 2 (2004) – Review
Technically, Quentin Tarantino has never done a sequel – except that he has. When the bosses at Miramax mistakenly decreed that a general audience wouldn’t
Finding Nemo (2003) – Review
By its fifth movie, Pixar was in full swing of producing a string of instant classics that’s almost impossible to beat – however, while the
Tremors 4: The Legend Begins (2004) – Review
As the direct to DVD sequels to Tremors rumble ever onward, it’s good to know that even someone as jaded as I can be surprised
Kill Bill: Vol. 1 (2003) – Review
In many ways we all owe Jackie Brown a huge debt of gratitude…After Quentin Tarantino’s third film failed to make the same critical splash as
The Day After Tomorrow (2004) – Review
Roland Emmerich is infamous for making his name levelling whole cities in the cause of some good, clean, blockbuster fun that still manages to casually
Solomon Kane (2009) – Review
Most fantasy movies geared toward a mature audience usually stumble when trying to merge it’s more fantastical elements with more adult themes such as graphic
Bulletproof Monk (2003) – Review
Wedged somewhere in the wide divide between Asian tinged 80’s fantasy flicks such as Big Trouble In Little China and The Golden Child and more
Hellraiser: Deader (2005) – Review
As we reach film seven in the Hellraiser franchise’s descent into an inferno far more upsetting than the one Dante went on about, the tears
Monsters Inc. (2001) – Review
By 2001, animation house Pixar had already churned out two bona fide classics (Toy Story’s 1&2) and a high grossing second movie that seems forever
Assault On Precinct 13 (2005) – Review
When casting an eye across the slew of remakes spawned from the movies of the gaggle of iconic directors who honed their genre craft in
Hellraiser: Hellseeker (2002) – Review
After Hellraiser: Inferno’s DVD premiere presumably made enough money for Miramax to scrape together enough loose change to make another, Hellraiser: Hellseeker was released onto
Inglorious Basterds (2009) – Review
After Tarantino ditched the suited, gangster goings on of Reservoir Dogs, Pulp Fiction and Jackie Bell for the super stylized shenanigans of the Kill Bill
Alone In The Dark (2005) – Review
Sometimes, you just know the movie you’re about to watch is going to be a rough ride, but every now and then you get a
Hellraiser: Inferno (2000) – Review
When news broke of what tortures Dimension Films had in store for the Hellraiser franchise after the lackluster performance of the Alan Smithee directed fourth
House Of The Dead (2003) – Review
Uwe Boll is a bewildering paradox.The relentlessly outspoken director may be almost solely responsible for single handedly keeping the reputation of Video Game adaptations completely
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