If I had to pick out only one difference between James O’Barr’s gently vicious comic book, The Crow and the sequels that came in the
Tag: 2000s
Memento (2000) – Review
Right from the beginning, Christopher Nolan has been obsessed with the way that time and narrative can be so easily be manipulated by the magic
Dog Soldiers (2002) – Review
You know, nothing gets my heart pumping more than a good, full blooded, horror debut and in 2002 we got an utter banger in the
The Crow: Salvation (2000) – Review
It was horribly ironic that The Crow franchise should have fallen under the ownership of Dimension – Miramax’s more genre focused arm – as it,
Open Water (2003) – Review
Back in 1999, a film was released that took not just the horror genre, but how such films were made and marketed altogether, and turned
Crank (2006) – Review
Aside from the early, mockney gangster stuff he did with Guy Ritchie and the first Transporter, does anyone here actually remember much of Jason Statham’s
Gladiator (2000) – Review
At one point in Gladiator, Ridley Scott’s epic exhuming and re-animating of the entire sword and sandal genre, Russell Crowe’s stoic general, Maximus Decimus Meridius,
The Way Of The Gun (2000) – Review
Before Christopher McQuarrie became Tom Cruise’s number one stunt enabler, he was most famous for penning the labyrinthian screenplay for Bryan Singer’s The Usual Suspects
The Rundown (aka. Welcome To The Jungle) (2013) – Review
As we gaze upon the blockbuster landscape of the present, Dwayne “The Rock” Johnson not only stands as the most successful pro wrestler turned actor
Children Of The Corn (2009) – Review
I’m assuming you’re familiar with the old question that if a tree falls in a forest and no one is around to hear it, does
Carriers (2009) – Review
This might be something of a tasteless observation to make, but any director of movie made about a global pandemic must be thinking that the
Children Of The Corn: Revelation (2001) – Review
Instead of flourishing like healthy rows of corn, the Children Of The Corn series had instead been speading across the bargin shelves of DVD rental
Universal Soldier: Regeneration (2009) – Review
I’ve always found it ironic when franchises that concern themselves with characters that keep regenerating back to life get an inordinate amount of reboots in
The Brothers Grimm (2005) – Review
Sometimes the studio system and visionary filmmakers simply don’t mix and never has this been more evident than with Terry Gilliam who seemingly has made
Collateral (2004) – Review
I’m of the admittedly mistaken belief that thanks to the God-tier quality of his 1995 crime epic Heat, everything Michael Mann has produced since has
Death Sentence (2007) – Review
After making his seismic impact on the horror genre with 2004’s Saw, there was the nagging suspicion that fledgling frightmaker James Wan had absolutely no
Shooter (2007) – Review
Never was the Mark Wahlberg rule more fully in effect than in Shooter, Antoine Fuqua’s muscular 2007 snipe-fest. What exactly was the Mark Wahlberg rule,
Æon Flux (2005) – Review
If there’s nothing that gets on my nerves more, it’s a big budget sci-fi movie that tries to harness a deliriously eccentric animated series while
Kiss Kiss Bang Bang (2005) – Review
The only thing that was surprising about insanely influential screenwriter Shane Black making the long overdue jump to directing was that it took so bloody
Dungeons & Dragons (2000) – Review
When news broke that a movie finally based on the legendary role playing game, Dungeons & Dragons was finally being made, there was debate between
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