War is Hell. After a succession of movies that sprang out of the savagery of Francis Ford Coppola’s Apocalypse Now, Steven Spielberg’s Saving Private Ryan
War is Hell. After a succession of movies that sprang out of the savagery of Francis Ford Coppola’s Apocalypse Now, Steven Spielberg’s Saving Private Ryan
It’s not easy to break out of a box you’ve put yourself in, but after Guy Ritchie’s third film – Madonna/Ritchie vanity project Swept Away
You never know what a film may ultimately be remembered for. You’d hope that it mostly would be cherished in the minds of audiences for
While it took me some time to spot it, it seems that there’s nothing that Scott Derrickson likes more than to take a typical horror
Shifts in subgenre midway through a franchise aren’t as rare (or as desperate) as they might initially sound, it’s just how you handle it that
If there ever was a product of its time, then surely it was the aggressively nasty horror sub-genre known as torture porn. Technically jump started
So, to put it mildly, I’ve never been a fan of the original xXx. Oh hey, I’m fully on board with filmmakers trying to come
You have to give the plasticine slingers and Aardman Animation all the credit in tbe world. I mean, when you consider that they already had
Back in 2002, Luc Besson’s seemingly never ending goal to turn every, random, adolescent idea hes ever had into flashy, eccentric, middle-of-the-road actioners hit something
On paper, a union between splattery horror director Stuart Gordon and celebrated writer David Mamet seems like an odd combination. Had Gordon hit the mainstream
After firmly installing himself on everyone’s radar with his massively fun debut, the horror comedy Dog Soliders, everyone huddled round waiting to see what British
Even during a decade where comic book movies rose to prominence like never before, Sin City still felt like a lead pipe to the back
When it comes to the tale of two Exorcist sequels, it was hardly a case of “it was the best of times, it was the
When broken down, modern-set martial arts movies are something of a simple breed. Usually, while the fights and choreography are blisteringly complex, the stories and
Whether you enjoyed the meta revolution that came from the success of Scream, or just thought all the self referential jabs got in the way
If I had to pick out only one difference between James O’Barr’s gently vicious comic book, The Crow and the sequels that came in the
Sometimes the studio system and visionary filmmakers simply don’t mix and never has this been more evident than with Terry Gilliam who seemingly has made
If there’s nothing that gets on my nerves more, it’s a big budget sci-fi movie that tries to harness a deliriously eccentric animated series while
The only thing that was surprising about insanely influential screenwriter Shane Black making the long overdue jump to directing was that it took so bloody
After a career boost he enjoyed thanks to a trilogy featuring a certain ghost faced, pop culture obsessed slasher, Wes Craven’s career seemed to be