Hacksaw Ridge (2016) – Review

While he’s certainly had his issues off-screen, there’s no one else in Hollywood that can quite equal Mel Gibson when it comes to approaching something

Continue reading

A Cure For Wellness (2016) – Review

While many would know Gore Verbinski chiefly from helping to unleash Captain Jack Sparrow upon an amused world, the director was responsible for far more

The Commuter (2018) – Review

Does Liam Neeson suffer from problems with unfamiliarity or something? I mean, we all like a daily routine, but by 2018 it really did seem

Lone Survivor (2013) – Review

I don’t know about you, but modern war films are a little tougher for me to embrace than ones that concern themselves over older conflicts.

Puppet Master: The Littlest Reich (2018) – Review

If any franchise was in dire need of a ground up reboot, it’s the Puppet Master movies. By 2017, depending on who you ask, there

Immortals (2011) – Review

In 2006, Zach Snyder’s adaptation of Frank Miller’s 300 seemed to be the last word in giving Greek history/myth a phantasmagoric, visual, glow-up that seemed

Bastille Day (2016) – Review

Anyone else think how it’s genuinely weird it is that so many horror directors suddenly find themselves directing action flicks nowadays? If it isn’t the

Await Further Instructions (2018) – Review

While a lot of sci-fi and horror films tend to inject more obvious examples of social commentary into their stories, it’s always something of a

Mama (2013) – Review

Before he unleashed an updated Pennywise on the world in his ambitious, two-movie take of Stephen King’s gargantuan It, Andy Muschietti was schmoozing with none

Into The Storm (2014) – Review

While movies shot in the first person aren’t exactly everyone’s cup of tea, it’s still weird that it took until 2014’s Into The Storm to

Homefront (2013) – Review

Whether you appreciate the bald, hard-hitting stylings of Jason Statham or not, you have to admit that he’s certainly etched his name into the mighty

30 Days Of Night: Dark Days (2010) – Review

Back in 2007, 30 Days Of Night gave vampires a much needed boot in the scares by adapting the absurdly atmospheric comic book by Steve

Puppet Master: Axis Termination (2017) – Review

The most impressive thing about Full Moon’s Puppet Master Axis Trilogy is probably how hard it finds to make killer puppets slaughtering Nazis fun. I

Vivarium (2019) – Review

Liminal horror may be all the rage these days, but the conscious use of surrealist creeps isn’t exactly new. Many films of the decades have

Hercules (2014) – Review

Have you ever entered a movie with such strong preconceptions that you’ve already convinced youself that you’re going to hate every single second of it?

Code 8 (2019) – Review

Oh hey, anyone else remember Push, that gritty Chris Evans superhero movie? No? OK then, don’t mind me…I only bring it up because I’m sort

Priest (2011) – Review

Sometimes your first instinct is bang on the money. Based on a Korean comic book I’ve never read which was in turn based on a

Ocean’s Eight (2018) – Review

It seemed that the antisocial – but still relentlessly cool – antics of Danny Ocean’s gradually expanding gang of thieves was long since over after

Non-Stop (2014) – Review

While Taken certainly has the bragging rights for making Liam Neeson a late-career action star, you really can’t under-sell the efforts of director Jaume Collet-Serra

Puppet Master X: Axis Rising (2012) – Review

Seeing as the last Puppet Master came so close to being trashily worthwhile, it’s no great surprise that the franchise decided to remain within the

1 2 3 27