Superstar charisma can be as important to a movie as editing, directing or even writing because even if some of the other aspects aren’t quite
Tag: 2010s
Howl (2015) – Review
There’s always been something a little more down to earth about horror movies from England – granted, films like The Wicker Man and Hellraiser are
Another Wolfcop (2016) – Review
As infantile, ludicrous and utterly lowbrow attempts to gain a cult following go, you’d be hard pressed to find one as obvious as Wolfcop, the
Cabin Fever (2016) – Review
Have you ever watched a series of movies and just thought: why?Let me put it another way, when I satcdown to watch the second Cabin
Revenge (2017) – Review
Love em or hate em, there’s one thing that you have to admit when it comes to the sleezy, morally questionable world of the rape/revenge
Dead Snow 2: Red Vs Dead (2014) – Review
Sometimes, there’s nothing just quite like a comedy/horror sequel. Not just any comedy/horror sequel mind you, but one made in a particular set of circumstances
Zombeavers (2014) – Review
Idiocy is a tough gig to pull off. The dumber the concept, the smarter the brains behind it has to be – and let’s be
Wolfcop (2014) – Review
Some films are created to expand your consciousness, to teach you about the world that surrounds you and aims to try to understand the existential
’71 (2014) – Review
Films that choose to plonk its protagonist in hostile surroundings for the duration of one, endless, unbearably stressful night aren’t exactly thin on the ground
Cabin Fever: Patient Zero (2014) – Review
Since the Cabin Fever franchise started back with Eli Roth’s 2002 debut, the series has established a very obvious set up that saw obnoxious, toxic
The Grey (2011) – Review
After his late-in-the-day transition into a grizzled action hero, it seemed like Liam Neeson’s more weightier roles seemed behind him – especially when you considers
A Horrible Way To Die (2010) – Review
Long before he oversaw two towering monsters beating the gargantuan shit out of each other on a global stage in the Godzilla/Kong movies, Adam Wingard
Let Me In (2010) – Review
Standard remakes – you know, modern takes on older, classic films – are tricky enough to get right as it is without accidently making sure
Maniac (2012) – Review
During an interview held sometime after the release of the 1998, meta sci-fi flick, The Faculty, director Robert Rodriguez stated that he’d love to cast
The Strangers: Prey At Night (2018) – Review
Way back, in the atmospheric, serial killer enshrouding, mists of time (aka. 2008), The Strangers was released in an attempt to deliver a stripped back,
Sherlock Holmes: A Game Of Shadows (2011) – Review
After Guy Richie, Robert Downey Jr. and Jude Law delivered their predictably bombastic take on Athur Conan Doyle’s legendary sleuth, the notion of a sequel
Sinister 2 (2015) – Review
The horror genre is always on the lookout for its next, marketable mascot; however, the choice to try and make a franchise out of Scott
Red 2 (2013) – Review
Some films ingrain themselves on your psyche with the intensity of a laser aimed at a secret agent’s crotch and creates an indelible core memory
Kick-Ass 2 (2013) – Review
Apparently, one of the toughest kind of movies to sequelize are ones specifically directed by Matthew Vaughn that are based from comics penned by Scottish
Death Wish (2018) – Review
Action movies are literally stuffed with main characters taking the law into their own hands and yet most of the time, when a cop has
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