The benefits of transporting your superhero over to the small screen may sometimes limit some of those bigger, budget-busting moments, but one clear advance it
Tag: 2018
Daredevil – Season 3, Episode 4: Blindsided (2018) – Review
If one thing Daredevil has managed to become famous for – other than creating an impossibly gritty world for its titular hero to run around
Daredevil – Season 3, Episode 3: No Good Deed (2018) – Review
As we forge ahead into the continuous disintegration of Matt Murdock, it’s good to know people that after two seasons and a spinoff, the show
Daredevil – Season 3, Episode 2: Please (2018) – Review
As we enter the second episode of the “season oneification” of Daredevil, the almost brutal attempts to return the series back to its stripped back
Daredevil – Season 3, Episode 1: Resurrection (2018) – Review
The Defenders admittedly had its moments, but lets be honest, any major plot thread belonging to any of the individual super characters was promptly sped
The Strangers: Prey At Night (2018) – Review
Way back, in the atmospheric, serial killer enshrouding, mists of time (aka. 2008), The Strangers was released in an attempt to deliver a stripped back,
Death Wish (2018) – Review
Action movies are literally stuffed with main characters taking the law into their own hands and yet most of the time, when a cop has
Lake Placid: Legacy (2018) – Review
It’s a well known fact that crocodiles have a very long life span, but surely this is taking the piss. After first breaching the surface
Deep Blue Sea 2 (2018) – Review
Surely the whole point of a cheap jack, cash in, direct to video sequel is to capitalize on the success of the first, theatrical movie
The Equalizer 2 (2018) – Review
There was something perversely fascinating about watching a man of Denzel Washington’s infinite talents stab, punch, batter and shoot his way through The Equalizer, Antoine
Children Of The Corn: Runaway (2018) – Review
Much like the closing moments of a horror film, we thought it was all over… only to be proved horribly wrong when the terror started
May The Devil Take You (2018) – Review
We’ve tackled the homage/ripoff conundrum here many times before and the consensus usually is that if your movie is legitimately entertaining, you can basically get
Tremors: A Cold Day In Hell (2018) – Review
After the surprise revival of the Tremors franchise back in 2015, the series seemed to be in the best shape it had been in in
Hellraiser: Judgement (2018) – Review
After keeping their hooks sunk deep into the flesh of the Hellraiser franchise after banging out a quickie sequel in 2011 in order to keep
Mortal Engines (2018) – Review
I don’t know about you, but I always find it somewhat awkward when I settle down to watch a big, lush movie based on a
The First Purge (2018) – Review
After the last, rather tepid, Purge I personally predicted that that special (thankfully fictional) night in America, where everyone puts on overly elaborate head gear
The Nun (2018) – Review
Yep, it’s yet another addition to the rapidly growing fraternity of the Conjuring universe, the most recent ballooning franchise that James Wan seems to create
The Cloverfield Paradox (2018) – Review
After the events located at 10 Cloverfield Lane brought in some healthy returns, the search was on for the next entry in this loose anthology
The Man Who Killed Hitler And Then The Bigfoot (2018) – Review
Genre mashing is one of the greatest things there is about genre cinema – a cinematic practice of squishing different types of movie together to
The Night Comes For Us (2018) – Review
After the Indonesian film industry got a shot in the arm (and face, and chest) thanks to Gareth Evans towering The Raid series, it seems
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