The last time a Stephen King adaption dabbled so blatantly with the notion of the smart phone, we got Cell, a movie about mankind having
Tag: 2020s
Nightwatch: Demons Are Forever (2023) – Review
Oh what, did you think that only American movies can play the legacy sequel game?Back in 1994, Ole Bornedal gave us Nightwatch, a tremendously atmospheric
Afraid (2024) – Review
With the inevitable rise of AI, the future of humanity has never been tougher to predict – which is ironic considering that’s what algorithms are
Speak No Evil (2022) – Review
Most of us are guilty of it one way or another. Keeping silent when some sort of wrong has been done to you in order
The Killer (2024) – Review
Is there still a place in modern action cinema for John Woo?As a crazed fan of his revolutionary 80s/90s Hong Kong era and an unabashed
Blink Twice (2024) – Review
Over the last couple of years, we’ve seen massive shifts in social attitudes towards race, gender and sexuality as movements such as BLM, #metoo and
Cuckoo (2024) – Review
Announcing that your brand new horror is scary and all is all well and good – but I’d rather prefer it if the ad campaign
The Crow (2024) – Review
They say that when a soul travels to the land of the dead, a crow can bring them back to take care of some unfinished
Alien: Romulus (2024) – Review
Earning gold or silver are obviously tremendous achievements, but sometimes just making the podium is impressive enough. Take the Alien franchise for example; nailing first
I Saw The TV Glow (2024) – Review
Part of the reason I love horror so much is that it’s just so goddamn pliable. If you want to watch a slow burning, intelligent
Trap (2024) – Review
From a purely creative standpoint, 2024 has been something of a productive year for the Shyamalan clan. Earlier in the year, M. Night’s younger daughter,
The Last Breath (2024) – Review
Here’s a shark related fact that feels nicely apt: sharks are constantly losing teeth on the fly, so they are constantly regrowing an endless supply
Deadpool & Wolverine (2024) – Review
I think it’s a pretty fair to say that the moment Marvel Studios started fucking around with the multiverse, their product of colourful superhero stories
Winnie The Pooh: Blood And Honey II (2024) – Review
I guess as someone who grew up in the 80s, I should be utterly unfazed by thr arrival of any unnecessary horror sequels, but even
Twisters (2024) – Review
Ok, before we take this movie for a spin, can I take a quick poll? Was there actually a call for a legacy sequel to
Longlegs (2024) – Review
It happens approximately around once a year. You’ve all seen it, that quote on the year’s most anticipated horror film that usually reads something like
Kill (2023) – Review
Sometimes, simply having a guy punch another guy in the face us all you need for action cinema to cross the great divide of a
MaXXXine (2024) – Review
In 2022, Ti West and Mia Goth collaborated to give us X, a movie that attempted to change the attitude to sex that many, previous,
In A Violent Nature (2024) – Review
Much like the hulking, masked marauders that lurk within, the 80s slasher genre was something of a simplistic engine of destruction that moved inexorably toward
Beverly Hills Cop: Axel F (2024) – Review
Hey, listen – if the Bad Boys and Maverick from Top Gun can suddenly explode back onto the screens in explosive adventures that manage to
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