If there’s one thing the horror genre does particularly well, its screwing over the mythos of the healthy, all-American family unit into something decidedly more
Tag: 2020s
The Equalizer 3 (2023) – Review
I’ve said it before and I’ll say it again: of all the distinguished actors who decided to hop aboard the aging action hero train, Denzel
The Blackening (2022) – Review
One of the most notorious tropes of cinema is that of the black character either dying first, or, at the very least, not making it
Blue Beetle (2023) – Review
The DCEU, at the current time of writing, is possibly in the greatest state of flux any long-running connected cinematic universe has ever been in.
Heart Of Stone (2023) – Review
Yep, another day, seemingly means yet another Netflix action/spy thriller led by a superhero actor lands on the streaming site only a short time after
Gran Turismo (2023) – Review
After a career spent toiling away in the sci-fi genre, vainly trying to equal his cracking debut, District 9, it seemed that Neill Blomkamp was
Shin Kamen Rider (2023) – Review
Ever since tackling Japan’s largest export with 2016’s Shin Godzilla, Hideaki Anno has been dead set on give virtually all of his childhood influences a
Zom 100: Bucket List Of The Dead (2023) – Review
The feel-good zombie movie is a sub sub genre that has precious little entries to date. I mean, it’s hardly surprising considering that the staggering,
Meg 2: The Trench (2023) – Review
If one thing bugged me about 2018’s The Meg, it was the fact that the movie was frustratingly inconsistent when it came to letting the
Talk To Me (2022) – Review
Horror movies, be it slasher, supernatural or monster based, have spent the better part of the entirety of history banking on the stupidity of its
Teenage Mutant Ninja Turtles: Mutant Mayhem (2023) – Review
Ever since the legendary Saturday morning cartoon exploded from the manhole cover of popular culture, the rambunctious quartet of adolescent, malformed, martial-art reptiles seems to
They Cloned Tyrone (2023) – Review
In the wake of Jordan Peele’s Get Out, a whole slew of genre fare that had its roots solidly buried in the anxieties and trials
Barbie (2023) – Review
Movies based on toys don’t exactly have the reputation of being the smartest of cinema’s exports as every entry that proves to be the surprising
Oppenheimer (2023) – Review
As clock counted down and the zero hour approached to the release of Christopher Nolan’s Oppenheimer, it became apparent that its power didn’t just lurk
Mission: Impossible – Dead Reckoning Part One (2023) – Review
Since the ascension of the Mission: Impossibe series made the switch from Tom Cruise Vanity Project to legitimate contender for action franchise alpha (around about
Elemental (2023) – Review
Maybe it’s because the studio had to endure a couple of years of Disney+ premieres thanks to COVID and the morale is still low, but
Insidious: The Red Door (2023) – Review
Much like the sight of a scarlet stained demon peeking over your shoulder, I don’t think anyone was expecting another Insidious movie to suddenly pop
Deep Blue Sea 3 (2020) – Review
When you consider that one of my many, major peeves about Deep Blue Sea 2 – the massively belated, low budget follow up to Renny
Indiana Jones And The Dial Of Destiny (2023) – Review
How much did we really need another Indiana Jones movie? After Kingdom Of The Crystal Skull screwed up Last Crusade’s note perfect ending with CGI
Children Of The Corn (2020) – Review
If any horror franchise was begging to be taken round to the back of the nearest barn and be put out of our misery like
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