The concept of other Kaiju movies that exist outside Japan isn’t exactly a new one – in fact, not only does The Beast From 20,000
Tag: 2020s
The Menu
For some of us, food isn’t just something you just shovel into your pie hole in order to fuel us as we gradually transform it
Shin Ultraman (2022) – Review
To paraphrase Ron Burgundy, Ultraman’s kinda a big deal – and yet despite being consistently popular in his native Japan thanks to his TV show
Bones And All (2022) – Review
There’s a long, storied, tradition of loved-up couples engaging on winding, rambling road trips while regularly stepping outside of the law in order to survive
Glass Onion: A Knives Out Mystery (2022) – Review
Emerging from the seemingly never ending critical chaos after the release of The Last Jedi, Rian Johnson recovered with style by turning around and casually
Terrifier 2 (2022) – Review
Ever since he took his full length feature bow in 2016 after his debut in Halloween-themed anthology All Hallow’s Eve three years earlier, gore-happy mime,
Black Panther: Wakanda Forever (2022) – Review
Marvel Studios has been known to take big swings at risky ideas in the past, but due to the still heart-rending passing of Chadwick Boseman,
The Munsters (2022) – Review
Whenever a filmmaker tackles a favorite property from their personal life, they’ll more often than not find themselves walking a tightrope thinner than a pube
Prey For The Devil (2022) – Review
If I’m being honest, in the wake of William Friedkin’s seminal 1973 classic, The Exorcist, I’ve always found exorcism movies to be incredibly samey and
Pearl (2022) – Review
Back at the beginning of the year, Ti West returned to horror and blessed us with X, a 70’s set slasher that took an overfamilar
Barbarian (2022) – Review
One of the most pleasurable experiences of being a horror fan is to run into a new film that tears up the rule book and
Black Adam (2022) – Review
So after being officially cast as Black Adam back in 2014 (!?), Dwayne Johnson finally makes his DCEU debut as the morals-free, anti-Shazam with the
Halloween Ends (2022) – Review
After a strong start with the 2018 Halloween; a franchise stripping legacy sequel that peeled back the series it its barest bones, David Gordon Green’s
Hellraiser (2022) – Review
While it’s something of an overused statement to declare remakes or reboots as usually acts of art-adjacent corporate greed, even the most cynical horror fan
The Woman King (2022) – Review
Ever since Ryan Coogler’s Black Panther decisively threw open the doors for blockbuster movies that feature predominantly black casts, filmmakers and themes, I’ve been patiently
Don’t Worry Darling (2022) – Review
After what seems to be a disproportionate amount of behind the scenes brouhaha, Don’t Worry Darling arrives in cinemas in a wake of a public
Smile (2022) – Review
How forgiving should a viewer be when they realise the movie they’re watching is actually incredibly derivative? With countless genres having countless entries a year,
Bodies Bodies Bodies (2022) – Review
Could it be that we’re entering a new, golden age of slasher movies – there’s certainly enough proof to suggest it as 2022 has already
Beast (2022) – Review
I’m currently wracking my brain to come up with a genre that Idris Elba hasn’t yet imposed his iron will upon and I’m struggling to
The Invitation (2022) – Review
A pertinent question that always arises when a movie trailer comes along that spills more beans than a nervous barista is: does a spoilerish ad
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