To describe Abel Ferrara as something of a cinematic enfant terrible would be something of a devastating understatement. Hell, the fact that he made Driller
To describe Abel Ferrara as something of a cinematic enfant terrible would be something of a devastating understatement. Hell, the fact that he made Driller
The earlier, cinematic versions of Jack Finney’s Invasion Of The Body Snatchers are as vital and important as any science fiction film released in their