Dellamorte Dellamore (aka. Cemetery Man) (1994) – Review

For a good couple of decades, Italy was a powerhouse of the horror genre, pumping out both staggering innovation and derivative trash in equal measure.

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StageFright (1987) – Review

While loaded with a plethora of alternate titles that range from the trippy (Aquarius), to the bizarre (Bloody Bird), StageFright remains a flamboyant and stylish

The Church (1989) – Review

In an alternate timeline, Dario Argento – the Italian master of horror – and Michele Soavi – the man responsible for the magnificently flamboyant 80s