Black Sabbath (1963) – Review

Just how exactly does a film that isn’t a household name get to be so ridiculously influential? Think I’m overacting? OK, stick with me here:

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Son Of Frankenstein (1939) – Review

The task of following up the knockout, one-two, combo of Frankenstein and Bride Of Frankenstein must have been the 30’s horror equivalent of Tarantino receiving

House Of Frankenstein (1944) – Review

After dropping Frankenstein’s Monster and the Wolf Man into a predictably brutal double date with 1942’s aptly named Frankenstein Meets The Wolf Man, it obviously

Bride Of Frankenstein (1935) – Review

When people start chipping in when asked about the greatest sequels ever made, I’m always sorta pissed that in among the usual retorts of The

The Mummy (1932) – Review

Those who got their primary fix of undead Egyptians from 1999’s The Mummy (or even Tom Cruise’s 2017 version, Anubis forbid) have some cinematic archeology

Frankenstein (1931) – Review

After the odd genre release during the silent era, Universal finally launched into what would become known as the Universal Monsters franchise 1931 with a