When you pair up the names Charles Bronson and Michael Winner, your brain should instantly drift towards conflicting memories – not unlike an unsettling ‘Nam
When you pair up the names Charles Bronson and Michael Winner, your brain should instantly drift towards conflicting memories – not unlike an unsettling ‘Nam
You can hear it right now, can’t you? The very second you read that title, I’m willing to bet folding money that Elmer Bernstein’s transcendent
The year is 1994 and action cinema has exploded. James Cameron, let loose with the biggest budget ever at the time has delivered the spy/action/comedy,
After a first instalment that raised some pertinent questions about the law and justice (albeit in a very exploitative way) and a third instalment that
There always seems to be that telling moment in any long running franchise where it morphs into something so far removed from its original concept,
There’s not many genres I have trouble stomaching. Slashers? No problem. Italian cannibal movies? Sure, why not? Torture porn? A cakewalk. However, if there’s something
It’s strange how the progression of a franchise can colour your perception of the original movie. Take Michael Winner’s Death Wish for example; a 1970s
Expertly panel beating the plot of Akira Kurosawa’s Seven Samurai into a shape that could comfortably sustain cowpokes instead of sword swingers, The Magnificent Seven
You know what most of those war time movies featuring men on a desperate mission have in common – apart from usually having big Hollywood