Another year brings us to yet another season of Tales From The Crypt, and despite a couple of last season wobbles, I’ll think you’d agree
Tag: Comedy
Forbidden Fruits (2026) – Review
When someone doubles your pleasure, you’d certainly hope that they’d also double your fun – and fun certainly seems to be on the cards once
The Gentlemen – Season 1, Episode 5: I’ve Hundreds Of Cousins (2024) – Review
I’ve Hundreds Of Cousins, stands as a showcase of everything that makes Guy Ritchie’s Netflix series such a kinetic, stylish delight. By this midpoint in
The Gentlemen – Season 1, Episode 4: An Unsympathetic Gentleman (2024) – Review
An Unsympathetic Gentleman delivers another tightly wound, gleefully twisted chapter in Guy Ritchie’s stylish crime-comedy universe, blending aristocratic manners with underworld pragmatism and a generous
Ice Cream Man (2026) – Review
I know I always bring this up whenever I review a movie from Eli Roth, but it never ceases to confound me that he was
To Catch A Thief (1955) – Review
While Alfred Hitchcock was famous for stretching tension and plot twists to their absolute limit, that hardly meant that the old boy didn’t like to
The Gentlemen – Season 1, Episode 3: Where’s My Weed At? (2024) – Review
The third episode of The Gentlemen, Where’s My Weed At?, continues the series’ distinctive Guy Ritchie-isms, blending sharp-tongued banter, escalating criminal complications, and stylish chaos.
Tales From The Crypt – Season 4, Episode 14: Curiosity Killed (1992) – Review
I guess it’s true that a light that burns twice as bright burns half as long, and despite season four of Tales From The Crypt
The Gentlemen – Season 1, Episode 2: Tackle Tommy Woo Woo (2024) – Review
Episode 2, Tackle Tommy Woo Woo, delivers a stylish, darkly comic cleanup job that doubles down on Guy Ritchie’s signature blend of aristocratic absurdity and
Tales From The Crypt – Season 4, Episode 13: Werewolf Concerto (1992) – Review
Last episode, I brought up the fact that for all the episodes that have emerged from the Crypt, a surprisingly small number of them featured
Tales From The Crypt – Season 4, Episode 12: Strung Along (1992) – Review
Creepy-ass puppets. It’s a notion that’s been woven into Tales From The Crypt from the very beginning – because what is the Crypt Keeper himself
Tales From The Crypt – Season 4, Episode 11: Split Personality (1992) – Review
While Tales From The Crypt’s fourth season has arguably been it’s most consistent to date, the near-constant string of four-star episodes has been yet to
Puppet Master: The Littlest Reich (2018) – Review
If any franchise was in dire need of a ground up reboot, it’s the Puppet Master movies. By 2017, depending on who you ask, there
Tales From The Crypt – Season 4, Episode 10: Maniac At Large (1992) – Review
With the leftover remnants of Two-Fisted Tales finally behind us, it’s time for season 4 to get back to its regularly scheduled programming, and to
The Gentlemen – Season 1, Episode 1: Refined Aggression (2024) – Review
Guy Ritchie’s films have always thrived on the juxtaposition of the polished British upper against a criminal working class. His 2019 film The Gentlemen was
Frostbiter: Wrath Of The Wendigo (1995) – Review
Sometimes all the slick visuals and production values money can buy are no replacement for good, old fashioned passion for the craft. That magical urge
Tales From The Crypt – Season 4, Episode 7: The New Arrival (1992) – Review
Never let it be said that the Crypt Keeper isn’t interested in the social issues plaguing our society, and in the latest sample of his
Tales From The Crypt – Season 4, Episode 6: What’s Cookin’ (1992) – Review
If we were to class Tales From The Crypt’s two biggest virtues as weirdo casts and excessive gore, then surely “What’s Cookin’” has the recipe
Tales From The Crypt – Season 4, Episode 5: Beauty Rest (1992) – Review
While there’s many descriptions to throw at Tales From The Crypt, sexist certainly isn’t one of them as HBOs horror blow out routinely realises that
Hell Of A Summer (2023) – Review
Look, I love 80s slashers too, but just how many more times can we deconstruct the genre with a mixture of post-modern snark and genuine