Say what you will about the noticably disjointed Return Of The Living Dead franchise, at least it kind of caters to differing tastes. If the
Tag: Comedy
Return Of The Living Dead Part II (1988) – Review
When pitching your 80’s, horror comedy into to an insanely competitive genre that includes such gruesomely chucklesome classics as An American Werewolf In London, Evil
Tremors: Shrieker Island (2020) – Review
While the landscape has certainly changed since Tremors first surfaced back in 1990, the jocular killer worm franchise has managed to get a lot of
Everything Everywhere All At Once (2022) – Review
Every now and then a movie comes along that’s utterly unlike anything you’ve seen before, is both mind blowingly original and devastatingly intimate and on
Dead Heat (1988) – Review
The buddy cop movie has had some strange variants over the years with everything including dogs (K9), mom’s (Stop Or My Mom Will Shoot) and
Top 5 Sam Raimi-est Sam Raimi Moments From The Evil Dead Trilogy
NOW we’re getting to the meaty stuff. I recently posted a list of Sam Raimi’s most weird and warped moments that didn’t find their way
Top 5 Sam Raimi-est Sam Raimi Moments NOT From The Evil Dead Trilogy
I know there’s some out there who don’t want to hear it, but there’s more to Sam Raimi than the deranged pleasures of the Evil
Drag Me To Hell (2009) – Review
Over the years, Sam Raimi has been at the bleeding edge of using his movies to torment and torture a surprising array of actors on
The Unbearable Weight Of Massive Talent (2022) – Review
Regardless of your person feelings for Hollywood’s greatest living maverick, everyone has a favorite Nicolas Cage performance be it Oscar’s worthy, an apocalyptic screech-fest or
The Lost City (2022) – Review
If there’s one genre I used to despise during my youth, it was the kind of goofy rom-com that tended to be so horrifically predictable,
Fresh
Romcoms are a something of a trial for me, so when something comes along to subvert (or even pervert) the usual tropes and cliches I
The Lost Boys (1987) – Review
It’s easy to look at The Lost Boys from the (relatively) safe confines of the 2020’s and merely proclaim it as a defining, rollicking, 80’s
The Final Girls (2015) – Review
Why is it that whenever a filmmaker wishes to lovingly poke fun at the horror genre, it’s invariably the slasher genre that gets singled out
Death Becomes Her (1992) – Review
Wedged somewhat awkwardly in Robert Zemeckis’ filmography between the blockbuster majesty of the Back To The Future trilogy and Who Framed Roger Rabbit? and the
Tremors: A Cold Day In Hell (2018) – Review
After the surprise revival of the Tremors franchise back in 2015, the series seemed to be in the best shape it had been in in
Turning Red (2022) – Review
Of late, you really have to feel for the alchemists of animation of who toil and labour under the roof of Pixar in order to
Terror Firmer (1999) – Review
You know, it’s easy to write off filmmakers like Lloyd Kaufman simply because the guy decides to load his movies with more smut and bloodshed
Tremors 5: Bloodlines (2015) – Review
After 2004’s genuinely sweet, wild west set prequel of part four, it seemed that the Tremors franchise was content to burrow down deep in to
Planet Terror (Grindhouse) (2007) – Review
In my review for that other member of the Grindhouse double bill, Quentin Tarantino’s Death Proof, I briefly laid out the history of his and
Beware! The Blob (1972) – Review
There are so many brow-furrowing details attached to the belated, 1972 sequel little-known sequel to 1958 sci-fi camp classic The Blob, that it beggars belief.
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