It’s always a fascinating thing when a director with a more elusive style makes something that accessible enough to be embraced by the general audience.
It’s always a fascinating thing when a director with a more elusive style makes something that accessible enough to be embraced by the general audience.
Not to come down too hard on Christian Gudegast’s gritty, 2018 crime flick, but possibly the most overwhelming twist that came out of that film
During the 1990s, Martin Scorsese crafted a gangster movie that became embraced as one of – if not the – greatest mob movie ever made.
Heist films tend to mostly be either unfeasibly well oiled machines of slick, technical expertise or zippy quirk-fests that see an ensemble banter just as
I believe it was a wise man who once said “You come at the king, you best not miss” (it was Omar from The Wire
To accurately snag an entire generation into worshiping your teen movie, it helps to remember a few things: you probably shouldn’t attempt to talk down
Matt Reeves’ The Batman was the latest attempt to try and see just how dingy and serious Hollywood could get the Dark Knight and even
Have you ever taken a step back and fully appreciated how frickin’ insane Peter Jackson’s journey from Bad Taste to Lord Of The Rings truly
On paper, a union between splattery horror director Stuart Gordon and celebrated writer David Mamet seems like an odd combination. Had Gordon hit the mainstream
No matter what, even the most scowling, masculine brute needs a sense of belonging to get them through this unfeasibly random shit show we call
The American crime movie has always been cool as it usually features really bad people doing really bad things in a way that’s perversely endearing;
Give Alfred Hitchcock a decent plot and the man was untouchable – his intuitive use of the camera would certainly guarantee that – but give
Alfred Hitchcock is, was, and ever will be revered as the Master of Suspense as his countless thrillers allowed him to play merry Hell with
After Guy Richie, Robert Downey Jr. and Jude Law delivered their predictably bombastic take on Athur Conan Doyle’s legendary sleuth, the notion of a sequel
To describe Abel Ferrara as something of a cinematic enfant terrible would be something of a devastating understatement. Hell, the fact that he made Driller
When you think of Sherlock Holmes you would most likely conjure up visions of gargantuan pipes, deerstalkers and the super detective striding around a musty
Once upon a time, long before irreverent Neil Gaiman adaptations, psychotic twelve year-old vigilantes and groovy X-Men movies set in the swinging sixties, Matthew Vaughn
Back in 2005, Robert Rodriguez managed to do the impossible and bottle the impossibly gritty lightning of Frank Miller’s cult, hyper-noir comic, Sin City. He
It’s strange how the progression of a franchise can colour your perception of the original movie. Take Michael Winner’s Death Wish for example; a 1970s
Even during a decade where comic book movies rose to prominence like never before, Sin City still felt like a lead pipe to the back