I’ve always admired the differences that exist between those two closely linked subgenres known as the Giallo and the Slasher film. Of course, the latter
Tag: Emilio P. Miraglia
The Night Evelyn Came Out Of The Grave (1971) – Review
Giallo is a weird genre, isn’t it? Like, it’s not enough to be part slasher, part whodunit, but it has to heap layers of psychosexual
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