Christmas movies have always been something of a mixed bag. Ignoring the near endless stream of sacherine nonsense pumped out by the Hallmark Channel over
Tag: Film Review
Django Strikes Again (1987) – Review
Surely there isn’t another franchise that exists that carries as much unnecessary baggage as Django, the 1966 gothic spaghetti western that spawned over thirty (count
Black Sunday (1960) – Review
While Mario Bava doesn’t seem to get as much credit for creating a certain kind of visual style (I didn’t see him get name-dropped in
Matango (1963) – Review
Hey, you guys all know Ishiro Honda right? I mean, some of you less familiar with Japanese fantasy cinema actually might not instantly have prior
Atragon (1963) – Review
Ishiro Honda rightfully is held aloft as one of Japan’s leading purveyor of sci-fi and adventure primarily because of his most famous creation, the city
Heretic (2024) – Review
Despite the fact that organised religion has seemingly taken a dip in popularity when it comes to everyday life, it still undoubted is a massive
Tarzan’s Hidden Jungle (1955) – Review
Much like how Tarzan has to let go of one vine to swing on from the next, the Tarzan franchise once again had to leave
The Abominable Dr. Phibes (1971) – Review
It helps to have rather a loose grasp of sanity when it comes to crafting a horror oddity, but when it comes to the kind
Pit And The Pendulum (1961) – Review
Of all the handsome Edgar Allan Poe adaptations Roger Corman mounted during the 60s, surely the most infamous was Pit And The Pendulum; a rousing
House Of Usher (1960) – Review
Long before Mike Flanagan got his mitts on the worlds created by legendary prince of gothic, Edgar Allan Poe, infamous cheapjack producer/director Roger Corman was
Venom: The Last Dance (2024) – Review
Separation anxiety is never pleasant – but then, neither is the continuing bafflement concerning Sony Studio’s Spider-Man free Spider-Man universe. Still, that hasn’t stopped the
Smile 2 (2024) – Review
Back in 2022, Parker Finn fixed us with a Smile that was surprisingly effective despite essentially being incredibly derivative of other movies such as The
Tarzan And The Trappers (1958) – Review
Despite having a long history of brawling with lions, feuding with hunters and generally sprinting through the underbrush with only a loin cloth to save
2 Guns (2013) – Review
Superstar charisma can be as important to a movie as editing, directing or even writing because even if some of the other aspects aren’t quite
Nosferatu (1922) – Review
One of the things I love most about being a horror nut is the history, which means the further back you go, you can still
Howl (2015) – Review
There’s always been something a little more down to earth about horror movies from England – granted, films like The Wicker Man and Hellraiser are
Transformers One (2024) – Review
OK. I’ll admit it. Despite bring a fan of the Transformers franchise (I’m a G1 guy, if you’re wondering), even I was struggling to be
Society (1989) – Review
Satire can take many forms, but surely none have taken a form so silly, so ridiculous, so downright…. squishy as Brian Yunza’s Society.Essentially ignored in
Salem’s Lot (2024) – Review
For long time fans of Stephen King, a rather severe case of deja vu has been going about lately concerning adaptions of his earliest novels.
Terrifier 3 (2024) – Review
The seemingly meteoric rise of Art the Clown has managed to make the biggest, bloodiest dent in the ranking of the horror icon since Jigsaw
We Have Issues 