Over the last couple of years, we’ve seen massive shifts in social attitudes towards race, gender and sexuality as movements such as BLM, #metoo and
Tag: Film Review
Cuckoo (2024) – Review
Announcing that your brand new horror is scary and all is all well and good – but I’d rather prefer it if the ad campaign
The Crow (2024) – Review
They say that when a soul travels to the land of the dead, a crow can bring them back to take care of some unfinished
Twilight Zone: The Movie (1983) – Review
“You are about to enter another dimension. A dimension not only of sight and sound, but of mind. A journey into a wondrous land of
Ed Wood (1994) – Review
As I’ve stated elsewhere, biopics aren’t exactly my bag. For a start, they tend to be overly glossy, puff pieces that often struggle to to
Cabin Fever 2: Spring Fever (2009) – Review
The saying goes that from little acorns, mighty oaks grow, but I guess no one was expecting anything mighty from director Ti West after the
Tetsuo: The Bullet Man (2009) – Review
Emerging from the the grainy, black and white frazzle of an 80s avant garde, art house experiment, came Shinya Tsukamoto’s Tetsuo: The Iron Man, a
Warlock: The Armageddon (1993) – Review
Back in 1989 we got Warlock, a surprisingly over-achieving, time travelling horror/comedy that saw Julian Sands and Richard E. Grant do battle in a centuries
The Grey (2011) – Review
After his late-in-the-day transition into a grizzled action hero, it seemed like Liam Neeson’s more weightier roles seemed behind him – especially when you considers
Interview With The Vampire (1994) – Review
It’s easy to think that fan vitriol and campaigns launched in order to change the adaption of a beloved property in the midst of filming
Fatal Attraction (1987) – Review
Sitting snuggly like a malignant tumour somewhere between the fleshy divide of the thriller and horror genre is that string of cinematic pulse pounders that
Nightwatch (1994) – Review
These days, settling down to watch a creepy, intricate thriller that comes from more Scandinavian climes is almost second nature thanks to the global success
A Horrible Way To Die (2010) – Review
Long before he oversaw two towering monsters beating the gargantuan shit out of each other on a global stage in the Godzilla/Kong movies, Adam Wingard
Deep Space (1988) – Review
During the great Alien/Aliens rip-off gold rush of the 1980s, it seems that everyone wanted a piece of the Xenomorph pie with every low budget,
Alien: Romulus (2024) – Review
Earning gold or silver are obviously tremendous achievements, but sometimes just making the podium is impressive enough. Take the Alien franchise for example; nailing first
Alien 2: On Earth (1980) – Review
When you craft a film as memorable as Ridley Scott’s Alien, it’s a given that others will attempt to ride on your biomechanical coat tails
Contamination (1980) – Review
I know this is a subject that this site has already broached many times before and will no doubt do so many more times in
I Saw The TV Glow (2024) – Review
Part of the reason I love horror so much is that it’s just so goddamn pliable. If you want to watch a slow burning, intelligent
Trap (2024) – Review
From a purely creative standpoint, 2024 has been something of a productive year for the Shyamalan clan. Earlier in the year, M. Night’s younger daughter,
Night Of The Demons (2009) – Review
What constitutes a good remake? Is it the adapting of an existing plot into contemporary times that makes the original concept as fresh as ever?
We Have Issues 