The 70s certainly knew how to hold it’s own when it came to the realms of weird-ass horror. Don Coscerelli’s gloriously trippy Phantasm effortlessly turned
Tag: Film Review
Stage Fright (1950) – Review
After making a slew of cutting edge thrillers in Hollywood since 1939, Alfred Hitchcock decided to return to home soil to make Stage Fright, a
When Dinosaurs Ruled The Earth (1970) – Review
Hammer obviously still saw gold in the whole prehistoric fantasy thing after the sight of Raquel Welch fleeing stop-motion thunder lizards in One Million Years
Maniac (1980) – Review
In a time when even the grottiest of films usually come with a comforting veneer of sheen, it’s great to take the time every now
Every Which Way But Loose (1978) – Review
Every actor makes the odd baffling decision every now and then, but I suppose it’s a fairly natural thing when you want to tale a
Sting (2024) – Review
If Frank Marshall’s spiderific 1990 bug-out, Arachnophobia, could be considered the Jaws of killer spider movies (and it should), surely then the far sillier Eight
Tarzan The Magnificent (1960) – Review
As sure as day follows night, thunder follows lightning or George Lazenby follows Sean Connery, the times were a-changing once again for the latest cinematic
Furiosa: A Mad Max Saga (2024) – Review
In 2015, filmmaker George Miller gave action cinema the fuel injected nitro boost we never knew it needed when he raised the Mad Max franchise
Atlas (2024) – Review
Once again, news of another sci-fi movie touching down on the landing pad of Netflix bring conflicting emotions. While not every action or sci-fi entry
Rear Window (1954) – Review
To say that Alfred Hitchcock loved a gimmick is an understatement the size of claiming that Norman Bates is close to his mum; but in
The New Barbarians (1983) – Review
Ever wonder what Mad Max would be like if it was a little weirder and a hell of a lot more offensive? Well don’t you
Deliverance (1972) – Review
For such a seemingly “normal” director as John Boorman, he didn’t half go all in when it came to cramming cinema full of batshit, crazy.
The Ministry Of Ungentlemanly Warfare (2024) – Review
“And remember gentlemen, try to have fun.”Not only is this a line of dialogue spoken by Henry Cavill’s dashing – not to mention highly unorthodox
Tarzan And The Jungle Boy (1968) – Review
As Tarzan emerges from the sweltering jungle for his latest adventure, there’s almost no sense that the official run of movies was about to slip
North By Northwest (1959) – Review
After crafting a filmography full of malicious mistaken identities and craven conspiracies, how does someone like Alfred Hitchcock let his hair down after decades of
Last Stop In Yuma County (2023) – Review
There’s something about a thriller that’s located under the harsh glare of the of an unforgining sun that has a particular bite to it. Obviously
The Strangers: Chapter 1 (2024) – Review
Proving that old Hollywood adage of nothing ever dies, the trio of mask wearing, Tamara inquiring, thrill killers known as the Strangers have returned to
Saturn 3 (1980) – Review
Some films are crafted, planned and plotted so nothing is left up to chance and its meticulous director can bring the vision they have in
Outland (1981) – Review
Anyone else get the sneaking suspicion that director Peter Hyams wanted to be Ridley Scott so bad?I’m ribbing, of course (although, I wouldn’t minded seeing
Hell In The Pacific (1968) – Review
When it comes to celebrated filmmaker John Boorman tackling the Second World War, most people are drawn to Hope & Glory, his autobiographical take on
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