Preserving the secret of a film that’s armed itself with devastating twist is becoming something of a lost art. Be it through careless posting on
Tag: Film Review
Infested (2023) – Review
I may just be speaking for myself here, but one thing that managed to cure me from being a quivering arachophobe is the fact that
Zardoz (1974) – Review
Picture the scene… A giant stone head floats above a barren landscape as it bellows the phrase “The gun is good! The penis is evil!”
Excalibur (1981) – Review
I’ve never met John Boorman in the flesh, but I’m willing to bet cash money that restraint wasn’t high on his list of priorities whenever
Casino Royale (1967) – Review
Outside of the monopoly that EON Studios has on all things James Bond, there are two, pesky variants that lurk just outside of the realms
Inside (2007) – Review
As the new wave of savagely violent French horror films continued traumatizing audiences throughout the 2000s, it seems that no taboo was sacred. However, while
Rebel Moon Part Two: The Scargiver (2024) – Review
To demonize or deify Zack Snyder? Which do you choose? Well, to be blunt, the correct answer is obviously neither, but the manufactured mystique that
Challengers (2024) – Review
Two opponents stand opposite each other, separated only by distance and a single net. One of them serves and the two embark on an intense
Highlander II: The Quickening (1991) – Review
No matter what form the sequel to Highlander would’ve taken, there was no way it wasn’t going self-sabotage itself thanks to to that single line
Strangers On A Train (1951) – Review
Give Alfred Hitchcock a decent plot and the man was untouchable – his intuitive use of the camera would certainly guarantee that – but give
Abigail (2024) – Review
I don’t know if you’ve noticed it or not, but vicious killers that take the form of sweet, unassuming little girls has become weirdly prominent
Tarzan Goes To India (1962) – Review
By the time 1962 rolled around, it was all change again for the Lord of the Apes as the obscenely muscular Gordon Scott made way
Deathstalker And The Warriors From Hell (1988) – Review
Sometimes, life gives you not-so-subtle hints about an experience you are about to embark on that can range from dark storm clouds literally forming on
Blood Red Sky (2021) – Review
Vampires are such versatile creatures. Starting as refined predators that lurked in dusty old castles in Transylvania and eventually spreading into the modern world like
Never Say Never Again (1983) – Review
While the story of the tangled movie rights of Ian Flemming’s Bond novel, Thunderball, would probably be best left explained by someone who remotely understood
The Cannonball Run (1981) – Review
Just when you thought it was safe to put the handbrake on that weird subgenre of good ol’ boy blockbusters that either saw Burt Reynolds
30 Days Of Night (2007) – Review
In 2007, a mere year before Twilight turned the popular view of cinematic vampires into glittery navel gazers who play baseball and yearn for high
Civil War (2024) – Review
Writer Alex Garland has never been afraid to ruffle more feathers than someone who massages poultry for a living, but it’s in his directorial career
Frontier(s) (2007) – Review
In a 2000s horror landscape that saw the rise of torture porn, not to mention a clutch of horror remakes that were trying to out-shock
No Holds Barred (1989) – Review
Certain sports are kind of hard to capture correctly on film when compared to other – I mean compare how many boxing and racing movies
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