I don’t know about you, but I feel that Rose Glass’ searing Saint Maud came along at exactly the right time. A devastating glimpse into
Tag: Film Review
The New York Ripper (1982) – Review
Even though I’m probably going to catch hell (or even a knife in the privates) for this, I have to admit I never really cared
The Fall Guy (2024) – Review
Even since he co-directed John Wick with Chad Stahelski, David Leitch has become the go-to guy for sumptuous, star-studded action epics that – along with
Tarot (2024) – Review
When it comes to horror, tone is absolute. From the stripped back, minimalist, slow burn social commentary of your average A24 flick, to the more
Boy Kills World (2023) – Review
In what seems to be a year of unlikely action heroes, we’ve already seen the likes of Jake Gyllenhaal and Dev Pattel get unconscionably ripped
Point Blank (1967) – Review
The American crime movie has always been cool as it usually features really bad people doing really bad things in a way that’s perversely endearing;
The Strangers: Prey At Night (2018) – Review
Way back, in the atmospheric, serial killer enshrouding, mists of time (aka. 2008), The Strangers was released in an attempt to deliver a stripped back,
Dial M For Murder (1954) – Review
Despite being labelled a Master of Suspense who regularly delved into the dark recesses of the human psyche in thrillers concerning murder, deceit and scandal,
Vertigo (1958) – Review
Preserving the secret of a film that’s armed itself with devastating twist is becoming something of a lost art. Be it through careless posting on
Infested (2023) – Review
I may just be speaking for myself here, but one thing that managed to cure me from being a quivering arachophobe is the fact that
Zardoz (1974) – Review
Picture the scene… A giant stone head floats above a barren landscape as it bellows the phrase “The gun is good! The penis is evil!”
Excalibur (1981) – Review
I’ve never met John Boorman in the flesh, but I’m willing to bet cash money that restraint wasn’t high on his list of priorities whenever
Casino Royale (1967) – Review
Outside of the monopoly that EON Studios has on all things James Bond, there are two, pesky variants that lurk just outside of the realms
Inside (2007) – Review
As the new wave of savagely violent French horror films continued traumatizing audiences throughout the 2000s, it seems that no taboo was sacred. However, while
Rebel Moon Part Two: The Scargiver (2024) – Review
To demonize or deify Zack Snyder? Which do you choose? Well, to be blunt, the correct answer is obviously neither, but the manufactured mystique that
Challengers (2024) – Review
Two opponents stand opposite each other, separated only by distance and a single net. One of them serves and the two embark on an intense
Highlander II: The Quickening (1991) – Review
No matter what form the sequel to Highlander would’ve taken, there was no way it wasn’t going self-sabotage itself thanks to to that single line
Strangers On A Train (1951) – Review
Give Alfred Hitchcock a decent plot and the man was untouchable – his intuitive use of the camera would certainly guarantee that – but give
Abigail (2024) – Review
I don’t know if you’ve noticed it or not, but vicious killers that take the form of sweet, unassuming little girls has become weirdly prominent
Tarzan Goes To India (1962) – Review
By the time 1962 rolled around, it was all change again for the Lord of the Apes as the obscenely muscular Gordon Scott made way
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