Ever since Disney absorbed Twentieth Century Fox into its amorphous being, there’s been a noticable revival of a number of their franchises – Star Wars
Tag: Film Review
Captain Kronos: Vampire Hunter (1974) – Review
Despite making more vampire movies than you can shake a rubber bat at, Hammer Studio could never be accused of resting on their laurels. Be
The Birds (1963) – Review
“The Birds Is Coming!” screamed early ads for Alfred Hitchcock’s horror/thriller, simultaneously giving grammar nazis an utter conniption and alerting 60s cinema goers that something
Deathstalker IV: Match Of Titans (1991) – Review
Surely the greatest victory that Deathstalker achieved wasn’t the smiting of yet another asshole sorcerer or once again scoring a horizontal conquest with the latest
McBain (1991) – Review
Definitely to be filled under “Why the hell am I only seeing this now?”, James Glickenhaus’ noisy and immensely cheesy ode to American’s being awesome,
Tarzan And The Valley Of Gold (1966) – Review
With the endless obsession and speculation about who has played James Bond or Batman, movie fans would do well to realise that this sort of
Cannonball Run II (1984) – Review
If you look at it a certain way, Cannonball Run II makes perfect sense. After all, wasn’t the first Cannonball Run only an exaggerated progression
The Shape Of Things To Come (1979) – Review
While George Lucas shouldn’t really be blamed for every cut price, dollar store, sci-fi rip-off he inflicted on history after birthing Star Wars onto a
Love Lies Bleeding (2024) – Review
I don’t know about you, but I feel that Rose Glass’ searing Saint Maud came along at exactly the right time. A devastating glimpse into
The New York Ripper (1982) – Review
Even though I’m probably going to catch hell (or even a knife in the privates) for this, I have to admit I never really cared
The Fall Guy (2024) – Review
Even since he co-directed John Wick with Chad Stahelski, David Leitch has become the go-to guy for sumptuous, star-studded action epics that – along with
Tarot (2024) – Review
When it comes to horror, tone is absolute. From the stripped back, minimalist, slow burn social commentary of your average A24 flick, to the more
Boy Kills World (2023) – Review
In what seems to be a year of unlikely action heroes, we’ve already seen the likes of Jake Gyllenhaal and Dev Pattel get unconscionably ripped
Point Blank (1967) – Review
The American crime movie has always been cool as it usually features really bad people doing really bad things in a way that’s perversely endearing;
The Strangers: Prey At Night (2018) – Review
Way back, in the atmospheric, serial killer enshrouding, mists of time (aka. 2008), The Strangers was released in an attempt to deliver a stripped back,
Dial M For Murder (1954) – Review
Despite being labelled a Master of Suspense who regularly delved into the dark recesses of the human psyche in thrillers concerning murder, deceit and scandal,
Vertigo (1958) – Review
Preserving the secret of a film that’s armed itself with devastating twist is becoming something of a lost art. Be it through careless posting on
Infested (2023) – Review
I may just be speaking for myself here, but one thing that managed to cure me from being a quivering arachophobe is the fact that
Zardoz (1974) – Review
Picture the scene… A giant stone head floats above a barren landscape as it bellows the phrase “The gun is good! The penis is evil!”
Excalibur (1981) – Review
I’ve never met John Boorman in the flesh, but I’m willing to bet cash money that restraint wasn’t high on his list of priorities whenever
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