Bones And All (2022) – Review

There’s a long, storied, tradition of loved-up couples engaging on winding, rambling road trips while regularly stepping outside of the law in order to survive

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Glass Onion: A Knives Out Mystery (2022) – Review

Emerging from the seemingly never ending critical chaos after the release of The Last Jedi, Rian Johnson recovered with style by turning around and casually

Terrifier 2 (2022) – Review

Ever since he took his full length feature bow in 2016 after his debut in Halloween-themed anthology All Hallow’s Eve three years earlier, gore-happy mime,

The Brides Of Dracula (1960) – Review

When the concept of endless horror sequels became in vogue and studios wanted to resurrect a franchise worthy character, they’d either bend over backwards to

Eight Legged Freaks (2002) – Review

Thanks to streaming, direct-to-DVD entries and entities like the Syfy Channel once seemingly churning out similar themed movies at a frightening rate, the onslaught of

True Lies (1994) – Review

Never let it be said that James Cameron isn’t a man who doesn’t test his limitations – and I’m not just talking about him bankrolling

Red Eye (2005) – Review

After a career boost he enjoyed thanks to a trilogy featuring a certain ghost faced, pop culture obsessed slasher, Wes Craven’s career seemed to be

A History Of Violence (2005) – Review

It may be a slightly immature take, but I’ve always gravitated more towards David Cronenberg’s earlier, genre work than his later, more… well, not conventional

The Ward (2010) – Review

It had been about ten years since John Carpenter last directed a feature and his self-imposed retirement had been born of him finally losing his

The Island (2005) – Review

After the frantic chaos of Bad Boys II, there was something of a question as to where Michael Bay would go next after a career

Terrifier (2016) – Review

If there’s one thing the modern horror genre is lacking is a truly endearing antagonist that really captures the imagination of the masses. I mean

One Cut Of The Dead (2017) – Review

Patience, they say, is a virtue and for those who can take the time to do things right, great gifts are due to come. Never

13 Hours: The Secret Soldiers Of Benghazi (2016) – Review

Believe it or not, despite forging a career making movies where countless special forces teams made up of the military and law enforcement wage war

The Kiss Of The Vampire (1963) – Review

Picture the scene: it’s a typically grim day as mourners gather for the funeral of a young woman taken before her time. The sky is

Vampire Circus (1972) – Review

It may be something of a hot take, but when comparing Hammer’s unreasonably sizable catalogue of vampire movies side by side, you start to realise

Countess Dracula (1971) – Review

As Hammer Films cruised into the 70’s, expanding upon the elevated sex and violence the changing times and audience demand required, there was sometimes a

Black Panther: Wakanda Forever (2022) – Review

Marvel Studios has been known to take big swings at risky ideas in the past, but due to the still heart-rending passing of Chadwick Boseman,

Twins Of Evil (1971) – Review

After lesbian tinged The Vampire Lovers and Lust For A Vampire, Hammer Films closed out their lusty Karnstein Trilogy with Twins Of Evil, an apparent

Hands Of The Ripper (1971) – Review

Hammer Films was chiefly renowned for their revolutionary contributions to the horror genre, but when they weren’t slapping a new coat of paint on such

The Mummy (1959) – Review

After retro-fitting and updating such classic characters as Frankenstein and Dracula with more modern (for the 50’s anyway) sensibilities, it was a shoo-in that Hammer

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