You’ve got to respect a sequel that not only recognises the strengths of its predecessor, but doubles down hard when bringing them to the fore.
You’ve got to respect a sequel that not only recognises the strengths of its predecessor, but doubles down hard when bringing them to the fore.
Ever since Quentin Tarantino made the Second World War “fun” again with Inglorious Basterds, I’ve been waiting for someone to come along to deliver a