During their golden years, Hammer films released horror movies that contained everything from Werewolves, Gorgons, zombies and a shit load of Vampires of varying genders

During their golden years, Hammer films released horror movies that contained everything from Werewolves, Gorgons, zombies and a shit load of Vampires of varying genders
It’s said that doing the same thing over and over again while expecting different results is a sure way to measure insanity and while the
If there’s something the Hammer series of Frankenstein movies has over the Universal series, it’s that the British studio opted to keep the films focus
As Hammer continued to churn out lavish horror flick after horror flick during the swinging sixties, one thing that seemed conspicuous by its absence was
Hammer Studios had dipped its toes into the realms of horror fantasy before with the adaptation of The Quatermass Xperiment, but in 1957, the studio
After the hugely favourable reception the Hammer got for their ever-so-dashing version of Mary Shelley’s Frankenstein (not to mention the similar thumbs up they got
The task of following up the knockout, one-two, combo of Frankenstein and Bride Of Frankenstein must have been the 30’s horror equivalent of Tarantino receiving
A more jaded man than I could suggest that Universal’s plan to start merging their horror characters into one big story like a giant, gothic
By the mid-40’s, Universal Studios were still looking for any way they could to keep their legendary stable of marauding monsters profitable. Their bright idea?
When people start chipping in when asked about the greatest sequels ever made, I’m always sorta pissed that in among the usual retorts of The
After the odd genre release during the silent era, Universal finally launched into what would become known as the Universal Monsters franchise 1931 with a