When it comes to tactless examples of vigilante cinema, there’s something about the simple sleeze of James Glickenhaus’ fascinatingly nasty The Exterminator that really stood
When it comes to tactless examples of vigilante cinema, there’s something about the simple sleeze of James Glickenhaus’ fascinatingly nasty The Exterminator that really stood
On paper, John McTiernan’s remake of the slick, 1968 crime caper, The Thomas Crown Affair should have provided anything new – I mean, just look