After launching their particular brand of Hammer-alternative horror films with Dr. Terror’s House Of Horrors, Amicus honchos Milton Subotsky and Max Rosenberg decided that sticking
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Dr. Terror’s House Of Horrors (1965) – Review
While Hammer Films is understandably credited as the leading light in British horror during its impressive reign, that’s not to say they were the only
Tales From The Crypt (1972) – Review
No one could quite line ’em up and knock ’em down like an EC Comics story, those gloriously nasty comic book morality tales that hit
The Day Of The Triffids (1963) – Review
Killer plants gave always held their own little corner of the genre market, be it the hyper-verbal bloodlust of Audrey II from Little Shop Of
Dracula Has Risen From The Grave (1968) – Review
For any long running cinematic character, staying relevant and fresh is the key to success. Take Hammer’s version of Bram Stoker’s legendary vampire Count Dracula,
The Evil Of Frankenstein (1964) – Review
As Hammer continued to churn out lavish horror flick after horror flick during the swinging sixties, one thing that seemed conspicuous by its absence was
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